National Health Commission introduced the recent important health policy documents.

  On April 25th, the National Health and Wellness Commission held a meeting on "All for People’s Health — — Our ten years "theme press conference. Hu Qiangqiang, spokesperson of the National Health and Wellness Commission, reported on the recent important health policy documents.

  First, the Joint Development and Reform Commission, the Ministry of Civil Affairs, the Ministry of Finance and other departments issued the "Notice on Launching the Action to Enhance the Ability of Combining Medical Care with Nursing Care in the Community", requiring relying on qualified township community service institutions such as medical care and old-age care to promote the organic connection between primary health care and old-age care services, so as to better meet the health and old-age care needs of the elderly in the jurisdiction.

  Second, the Joint Medical Insurance Bureau, the Chinese Medicine Bureau and other departments issued the "Administrative Measures for Mutual Recognition of Inspection Results of Medical Institutions" to standardize the requirements of organization and management, mutual recognition rules and quality control of mutual recognition of inspection results.

  The third is to issue the Recommended Catalogue of Day Surgery (2022 Edition), and update the recommended catalogue of day surgery to 708 items, so as to guide medical institutions to vigorously promote day surgery and provide more convenient medical services for the masses.

  The fourth is to issue the Guidelines for Diagnosis and Treatment of Diseases Related to Tumors and Hematological Diseases (2022 Edition), to clarify the diagnosis and treatment requirements of 21 solid tumors and hematological diseases such as lung cancer, gastric cancer, breast cancer and leukemia, and to improve the standardized level of diagnosis and treatment.

  Fifth, the United Bureau of Traditional Chinese Medicine issued the Technical Plan for Graded Diagnosis and Treatment of Chronic Diseases such as Chronic Kidney Disease in Counties, which standardized the technical requirements for graded diagnosis and treatment of seven diseases such as chronic kidney disease, hypertension and dyslipidemia in counties, clarified the functional orientation of county medical institutions in early detection, early diagnosis and long-term standardized management, and ensured that patients with chronic diseases enjoyed integrated and high-quality medical services.

Tesla ModelY is about to be updated and is expected to be released in 2025.

Recently, the latest news about Tesla has aroused widespread concern. It is reported that the production of the current Model Y factory in Shanghai is nearing completion, and the last batch of vehicles have been off the assembly line. This change indicates that the debut of the new Model Y is coming soon, and it is expected that the new model will meet with consumers on January 1, 2025.

What new changes will the new Model Y bring? Here are some highlights to look forward to:

1. Design: The new Model Y is expected to make bold innovations in appearance, and the front and rear light groups may adopt penetrating design to make the vehicle look more modern and unique.

2. Endurance: The new Model Y will continue to provide standard endurance, long endurance and performance versions, among which the cruising range of the long endurance version is expected to reach 600-700 kilometers to meet the needs of different consumers.

3. Intelligent upgrade: In terms of intelligent configuration, the new Model Y is expected to be equipped with HW4.0 hardware. There are rumors that EAP (Enhanced Automatic Driving Assistance System), which originally required an additional payment of 32,000 yuan, may become standard, bringing users a smarter driving experience.

4. Price adjustment: In terms of price, the price of the new Model Y is expected to be 20,000-30,000 yuan higher than that of the current model to reflect its upgrade in technology and configuration.

Although the detailed information about the new Model Y has not been fully disclosed, it is certain that the new Model Y will continue to lead the new trend of the electric vehicle market and provide consumers with a more excellent driving experience. Let’s look forward to the official appearance of the new Tesla Model Y and witness how it can refresh the new standard of electric vehicles again.

One-week exhibition guide | Shanghai Bo answers "Why China", and there is a self-portrait of Van Gogh in Scotland.

In the midsummer, the new exhibition "Zhai Zi China" of Shanghai Museum, which was officially exhibited today, brought the audience to the Central Plains of Xia, Shang and Zhou Dynasties to explore the spirit and charm of the magnificent civilization in the pre-Qin period; "Tarrasa: Marine Civilization and Greek Art" makes people feel the wind blowing by the Aegean Sea. China National Museum "Oriental Lucky Gold" focuses on the historical culture, etiquette civilization, science and technology and artistic achievements of China, South Korea and Japan with ancient bronzes.

Overseas, the self-portrait discovered not long ago after Van Gogh’s "The Head of a Peasant Woman" was exhibited for the first time in the exhibition "Taste Impressionism: Modern French Art from millet to Matisse" at the Scottish National Gallery.

"The Paper Art Review" specially sorts out the exhibitions worth watching for a week, in order to provide dinner for readers.

Shanghai

House China —— Exhibition of Three Generations of Civilization in Xia, Shang and Zhou Dynasties in Henan Province

Venue: Shanghai Museum

Exhibition period: July 30-October 23, 2022

This exhibition is the first special exhibition of Shanghai Museum’s "Why China" cultural relics and archaeology exhibition series. Through more than 200 pieces (sets) of precious cultural relics from Xia, Shang and Zhou Dynasties, it leads the audience to trace back to the Central Plains in Xia, Shang and Zhou Dynasties and explore the magnificent spirit and charm of the pre-Qin period. The exhibition name "Zhai Zi China" comes from the inscription of He Zun, a bronze ware in the early Western Zhou Dynasty, and it is also the origin of the earliest known word "China".

Tarrasa: Marine Civilization and Greek Art

Venue: Shanghai Museum

Exhibition period: July 19-October 9, 2022

"Tarrasa" is taken from Thalassa, the goddess of the sea in ancient Greek mythology, which symbolizes the ocean that surrounds the Greek mainland and breeds many islands. It not only represents the main geographical features of Greece, but also is an important part of Greek life and psychology.

The exhibition displays 34 pieces (sets) of modern and contemporary Greek art works, and reproduces 5 ancient Greek cultural relics in the form of holographic projection, trying to explore and show the special relationship between Greece and the ocean from a historical perspective, and how they reflect the rich connotation of the ocean in visual art.

Prosperity and Prosperity —— Shanghai Museum’s Gifted Cultural Relics Exhibition

Venue: Shanghai Museum

Exhibition period: March 10th, 2022-January 8th, 2023.

There are 195 donated cultural relics in the exhibition, including Wang Nanping and Fang Shuyan’s "The Outline of Lengyan Sutra" donated by Wang Anshi in the Northern Song Dynasty, Fu Cha, the King of Wu in the late Spring and Autumn Period donated by Stanley Ho, and the Ming Dynasty Shen Zhou’s "Drawing the Axis of Xie ‘an Dongshan" donated by Weng Wange. The exhibition is another exhibition of cultural relics donated by Shanghai Expo after the "Prosperous Millennium" and "Mountain Scenery" held last year, and it is also a wonderful chapter in the celebration of the 70th anniversary of the Shanghai Museum this year.

Giorgio Morandi

Venue: Shanghai Jiushi Art Museum

Exhibition period: July 9-October 9, 2022

There are 51 original paintings of Mo Landi on display, including 39 oil paintings, 6 original prints, 4 watercolors and 2 sketches, spanning Mo Landi’s nearly 50-year creative career. The works on display are from the Mo Landi Museum in Bologna, Mo Landi’s hometown, the National Museum of Modern Art in Rome, the world-famous Giovannadi private collection and IMAGO Gallery.

Endless with Heaven —— Shaanxi Zhou, Qin, Han and Tang Cultural Relics Exhibition

Venue: Fengxian Museum, Shanghai

Exhibition period: July 15th-September 15th, 2022.

The exhibition, in chronological order, is divided into four units, namely, "Brilliant History of Zhou Dynasty", "Oriental Empire", "Heroes of Han Dynasty" and "Meteorology of Prosperous Tang Dynasty", which shows the splendid history of the Chinese nation and its energetic and tolerant cultural self-confidence from the aspects of political system, social economy, people’s livelihood culture and foreign exchange.

Dahan Haijiang: South Vietnam Maritime Civilization Exhibition

Venue: China Maritime Museum

Exhibition period: July 1-September 18, 2022.

154 pieces/sets of unearthed cultural relics were exhibited, including the only complete silk jade garment in the world, the largest gold seal in the Western Han Dynasty, and the only dragon button emperor seal in the Han Dynasty, which showed the unique Lingnan style and maritime culture of South Vietnam.

Straight and detour: the path of modern architecture in Taiwan, China

Venue: Shanghai Museum of Contemporary Art

Exhibition period: July 16th-October 16th, 2022.

The exhibition will introduce nearly 60 works by 16 architects/studios in Taiwan, China, and display related manuscripts, films, paintings, photographs, documents, models and immersive experience devices. The exhibition aims to sort out the development and latest exploration of modern architecture in Taiwan Province, and show the architect’s prudence and reflection on its identity.

Transforming the Future-The 8th Shanghai Duolun Youth Art Exhibition

Venue: Shanghai Duolun Modern Art Museum

Exhibition period: August 2-August 31, 2022

In the exhibition, works were collected by public solicitation and nomination and recommendation, and finally the works of 18 artists/groups were selected by the expert judges, covering painting, installation, sound, video and performance.

Beauty of Power —— Lu Xun and Printmaking

Venue: Shanghai Luxun Memorial Hall

Exhibition period: July 26th-September 12th, 2022.

The exhibition displays 89 pieces (sets) of rubbings, notes, Japanese ukiyo-e, European prints and prints created by China emerging woodcut artists trained by Lu Xun, among which 11 pieces are first-class cultural relics, and most of the rest are second-class cultural relics, in addition to 15 works of art by famous artists. In this way, it presents the accumulation process of Lu Xun’s artistic thoughts, and advocates and promotes the artistic creation of modern woodcut prints in China.

Long-term design: thinking and practice

Venue: Pearl Art Museum

Exhibition period: July 3-November 6, 2022

With more than 600 design works in 9 units, the exhibition goes deep into the traditional and modern features of regional products, and comprehensively and systematically introduces the design thinking and multi-field practice of Nagaoka Sage.

Jiangnan Life Aesthetics Exhibition

Venue: Shanghai Museum of History

Exhibition period: July 29th to August 28th, 2022.

Taking cultural relics as the carrier, the exhibition aims to show Jiangnan culture which is connected with rich, poetic, picturesque, moral and other cultural meanings. At the same time, the "Green Gold Beautiful Life-Fantasy Tour of China Tea in 17th-19th Century" presents the maritime tea trade in 17th-19th century and the influence of China tea culture on the world. This exhibition can be regarded as an extension of "life in the south of the Yangtze River", and can be viewed in contrast.

Nara Yoshitomo

Venue: BudiTek Art Museum (temporarily closed)

Exhibition period: March 5-September 4, 2022

Through more than 70 important paintings, sculptures, ceramics and installations, and more than 700 manuscripts that have not been exhibited, the exhibition reviews Nara Yoshitomo’s prolific artistic career spanning 37 years. This exhibition is not only the first solo exhibition of Japanese artist Nara Yoshitomo in Chinese mainland, but also his first large-scale retrospective tour around the world.

Water Domain —— Exhibition of the Kebranly Museum and the Fran? ois Schneider Foundation in France

Venue: Pudong Art Museum

Exhibition period: until August 31st.

The theme of "Water Domain" is water, which is the core of human life. It presents more than 100 collections of exhibits from the French Kebranli Museum and the Fran? ois Schneider Foundation, and has a unique dialogue from five aspects: water landscape manufacturing, water daily life, liquid imagination, sacred territory and water geographical transition.

Thomas Dimander: The Tongue of History

Venue: UCCA Edge

Exhibition period: July 8-September 4, 2022

Through more than 70 works such as photography, movies and wallpaper created by the artist in his career, the exhibition systematically sorts out the artistic practice of integrating sculpture and photography and exploring the junction of history, images and architectural forms.

The voice of all things

Venue: West Coast Art Museum (temporarily closed)

Exhibition period: July 28th, 2021-February 5th, 2023.

The exhibition brings together more than 160 masterpieces collected by Pompidou Center, and leads the audience into the hinterland of the avant-garde art movement under the background of globalization from the beginning of the 20th century to recent years with 18 exhibition chapters, touching the pulse of historical times with "things" and sinking into the sound behind listening to art..

Never Here —— Exhibition of Picasso, Van Donggen and Wu Lintian’s Works

Venue: Jane Gallery (CJ Fine Art, No.1, Lane 800, Zhongshan South Road)

Exhibition period: August 5-September 29, 2022

The exhibition combines eight Picasso’s works, two illustrations created by Van Dongen for Kipling’s collection of short stories, The Most Beautiful Story of Kipling, a famous British writer, and seven works recently created by China artist Wu Lintian, showing a special collision and integration of Chinese and Western arts. The Picasso series prints exhibited this time are the last set of prints made by Picasso before his death. In 1969, Picasso, who was 88 years old, spent two months creating 29 delightful portraits on corrugated paper with watercolor pigments, including mustaches, musketeers, deconstructed female faces, and abstract faces of Balzac, Shakespeare, Rembrandt and other literary giants. Among them, "Musketeer" series is one of the most important creative themes of the artist in his later years.

Wu Lintian is a painter who is engaged in abstract art creation and studies the tradition of Chinese painting. The seven works in this exhibition have changed their previous fascination with black and brown, and are mainly light pink. The works take the ancient towns, villages, pastoral areas and streets around the artist’s studio as the main reference objects, and complete the imagery creation by means of board linen and homemade pigments.

Substitute flowers for trees-Betan Lavier

Venue: Shanghai Fosun Art Center

Exhibition period: July 1st-September 4th, 2022.

This is the 73-year-old French national treasure artist’s first exhibition in Chinese mainland. Looking back on its pioneering artistic practice, the exhibition explores the relationship between painting and sculpture, expression and abstraction, and life and art with its iconic misappropriation art, and at the same time, creates a fantastic world of subversion for the audience through the concept of "scene construction".

Huayuan-Natural Return to the City

Location: moca shanghai.

Extension: lasting until mid-August.

With the unique curatorial concept of "thinking", the exhibition focuses on introducing the topic of "supernatural city". It is composed of three exhibition areas and seven unit theme exhibitions, bringing together the works of 12 artists, covering paintings, installations, images, photography and other media, and expressing the topic of "sustainable development" with the continuous increase of temperature in a cool way.

Your childhood, my memory —— Children’s images in contemporary photography

Venue: Biyun Art Museum, Pudong

Extension: lasting until September 18th, 2022.

Through 10 groups of 99 works by many artists, the exhibition shows some concrete achievements in children’s image creation in China since the reform and opening up, including both documentary works reflecting social changes and childhood scenes "imagined" thanks to digital technology.

Beijing

Worship Wei Yao De —— Qing Dynasty Military Equipment Exhibition in the Palace Museum

Venue: Beijing Guardian Art Center

Exhibition period: July 22-October 30, 2022

According to their functions, the exhibition divides the Qing Palace’s armament cultural relics into three units, namely "Courtesy to Heaven and Earth", "Shenfeng Grasping Victory" and "Baoye Ningtao", showing the application of armament in etiquette and war and its artistic characteristics.

Encounter Mesopotamia: Fine Exhibition of Ancient Syrian Cultural Relics

Venue: National Museum of Classics

Exhibition period: June 25th-September 12th, 2022.

The area where the Tigris River and the Euphrates River, which originated in Anatolia mountains in history, flow is called the two-river basin, and the ancient Greeks called it Mesopotamia, which means "the land between the two rivers". The exhibition displays 196 pieces/groups of exquisite cultural relics from Syria, depicting a long historical and cultural picture, and also showing the friendly cultural exchanges between China and Syria.

The Origin of Italy-Exhibition of Ancient Roman Civilization

Venue: National Museum

Exhibition period: July 10th-October 9th, 2022.

The exhibition gathered 503 ancient Roman cultural relics to tell the lifestyle, folk customs and social reality at that time.

Oriental Lucky Gold-Exhibition of Ancient Bronzes in China, Korea and Japan

Venue: National Museum

Exhibition period: July 26th-October 9th, 2022.

About 50 pieces (groups) of fine bronze cultural relics collected by the national museums of China, South Korea and Japan are displayed in the exhibition, taking bronze as the carrier, presenting the ancient history and culture, etiquette civilization, science and technology and artistic achievements of the three countries.

Accumulate Thick and Spread Wide —— Exhibition of Archaeological Achievements of National Museum

Venue: National Museum

Extension: from July 2, 2022.

In the exhibition, more than 240 representative archaeological relics were selected from different dimensions of land, sea and air to show the archaeological achievements of Guobo around specific archaeological cases.

Rong Yao Dan Qing —— Portrait Exhibition of Ming and Qing Dynasties in China National Museum

Venue: National Museum

Exhibition period: from April 29th, 2022.

The exhibition consists of three units, and more than 50 masterpieces (sets) of portraits of Ming and Qing dynasties are selected. The themes cover the royal family, famous officials, celebrities, literary societies, boudoir, women’s faces and other aspects, and the interpretation of the functional meaning of paintings is systematic, diverse and in-depth. Including "Sitting in Kangxi’s Study", "Du Fu’s Herb-picking Map" and "Chasing Huan and Getting Lu Map".

Sven Chuan Gu Feng: Deng Tuo donated ancient painting exhibition.

Venue: China Art Museum

Exhibition period: June 21st-August 25th, 2022.

To commemorate the 110th anniversary of Deng Tuo’s birth, China Art Museum held this exhibition, displaying more than 70 paintings donated by Deng Tuo. Through the three parts of "Xiaoxiao Bamboo, Lei Leishi", "Moving Vivid Quality to Freehand Style" and "Seeing the Road with Sincerity", the cultural value and charm of China’s ancient paintings were interpreted. The exhibition will also present a set of photos, documents and books for the first time, showing Deng Tuo’s elegance and charm.

A Master and a Half-bosom Friend —— A New Situation of Flower and Bird Painting by Qi Baishi, Yu Feian and Wang Xuetao

Venue: Beijing Painting Academy

Exhibition period: June 30th-September 18th, 2022.

The exhibition collected more than 70 pieces of flower-and-bird paintings by Qi Baishi, Yu Feian and Wang Xuetao. From the perspective of artistic inheritance, the exhibition studied three different types of flower-and-bird painters as a whole, and analyzed and explored the fundamental reasons why modern flower-and-bird painters opened up a "new realm" in the era from the four dimensions of "tracing back to the ancients", "imitating the ancients" and "expressing their feelings" for the broad audience.

Architecture with Five Senses: Kengo Kuma Architectural Design Exhibition

Venue: Guardian Art Center

Exhibition period: July 22-October 30, 2022.

The exhibition starts from the "five senses" from the presentation to the content, emphasizing all the senses of the future architecture responding to the lawsuit, and exhibiting works such as Bamboo Stream, Bamboo Qu, Bamboo and Stone, which bring comfort to people’s hearts.

Peking University Archaeology 100 Years Special Exhibition of Archaeology Major in 70 Years

Venue: Secler Museum of Archaeology and Art, Peking University

Exhibition period: May 3, 2022-May 10, 2023

The exhibition presents more than 100 pieces (sets) of exhibits, including cultural relics specimens, excavation reports, photos and literature files excavated by Peking University Archaeology over the years. There are two exhibition lines inside and outside the exhibition. The inner line is the memorabilia of the college, and the outer line introduces the important archaeological work that Peking University participated in and its contribution to the development of discipline theory and method.

Zhejiang(Province)

Wind and Lotus —— Lotus Culture and West Lake in Hangzhou

Venue: West Lake Art Museum

Extension: lasting until September 7th.

There are 170 lotus-themed cultural relics and handicrafts on display in the exhibition from Neolithic Age to modern times, all of which reveal the charm and elegance of lotus-themed cultural relics, from the Chicken Head Pot in the Six Dynasties, the celadon in Yueyao, the celadon with lotus patterns in Longquan Kiln in the Song and Yuan Dynasties, to Chen Hongshou’s "Lotus with Two Butterflies".

Metaphysics —— Longquan celadon from the perspective of Song Yun

Venue: Zhejiang Provincial Museum

Exhibition period: June 18th-August 18th, 2022.

More than 20 pieces of southern song Longquan celadon unearthed from the cellar in Jinyucun Village, Sichuan Song Porcelain Museum were exhibited, including the southern song Longquan celadon bottle, the southern song Longquan celadon water purification bowl and the southern song Longquan celadon ear-piercing bottle. This is also the second series exhibition of Longquan celadon with the theme of comparison between ancient and modern after 2021.

Antique Shadow —— Huang Binhong’s Ancient Seal Collection Exhibition

Venue: Zhejiang Provincial Museum (Wulin Hall Area)

Exhibition period: June 1st-September 3rd, 2022.

In the exhibition, 129 buttons of ancient seal collected by Huang Binhong before his death are displayed in contrast with his calligraphy and interpretation, supplemented by more than 40 manuscripts of seal science and ancient philology and paintings and calligraphy works. Through Huang Binhong’s collection, this paper aims to explore his views on collection, art and values, so as to pursue the interaction between Huang Binhong’s artistic creation and collection and his hidden spiritual pursuit.

Ding Bing and Hangzhou in the 19th Century

Venue: Hangzhou Museum

Exhibition period: May 18th-November 20th, 2022.

The exhibition is the first exhibition of the "Qiantang Tide" urban culture series, with a total of 63 sets/pieces, including letters, scrolls, rare books, bronzes, silks, ceramics, furniture and many other categories. The exhibition is divided into three units, namely "People on Qiantang River", "Reviving the Old Lakes and Mountains" and "Relieving Hang Cheng". It focuses on the construction and reform of Hangzhou gentry represented by Ding Bing in the late 19th century in many fields, such as industry, education, culture, charity and city, which provides a reference for China’s modernization.

From Hutemas to Future Vision: Design History of Soviet Russia —— Creating a New World

Venue: China International Design Museum of China Academy of Fine Arts.

Exhibition period: March 17th-September 22nd, 2022.

Focusing on the design innovation from Soviet Russia to the Soviet Union, the exhibition is the first large-scale exhibition of the complete design history of this period in China, aiming at exploring the pioneering experiments and achievements of the design in this period for building a new life world, and tracing back to the endogenous motivation and creativity in the design and art fields. The types of works presented in the exhibition cover drama, architecture and handicrafts related to this theme, as well as most modern design categories such as products, planes, clothing and transportation.

Jiangsu(Province)

"Jin State" Special Exhibition

Venue: Nanjing Museum

Exhibition period: June 25th-October 7th, 2022.

The exhibition displays 231 pieces (sets) of fine cultural relics from Shanxi Museum. Through three units, namely "Favourite of Hefen", "Striving for hegemony in the Spring and Autumn Period" and "Yu Lie San Jin", it focuses on the 600-year great achievements of the State of Jin from "sealing brothers with tung leaves" to "dividing Jin into three families".

Pan Yuliang painting special exhibition

Venue: Nanjing Museum

Exhibition period: July 16th-October 10th, 2022.

The unique artistic interest of Pan Yuliang’s works under the collision of Chinese and western cultures is realized from three units: Portrait and Figures, Women and Human Body, Scenery and Still Life.

"Enriching the Brilliance, Being Beautiful and Being Great" Series Exhibition to Commemorate the 100th Anniversary of Suzhou Art College.

Venue: Suzhou Art Museum and Yan Wenliang Memorial Hall.

Exhibition period: from July 15th.

The exhibitions include "Picturesque Canglang Overlooking the South of the Yangtze River-Invitation Exhibition of National Oil Paintings by Famous Oil Painters" (Suzhou Art Museum), "Looking at Canglang Festival-Yan Wenliang and Suzhou Academy of Fine Arts, Canglang’s Three Masters’ Eyes and Beads"-Exhibition of the Works of Yan Wenliang, Hu Cuizhong and Zhu Shijie, the main founders, and the exhibition of the works of Wu Zishen, an important sponsor, etc.

The Appearance of Civilization —— Exhibition of Ancient Cultural Relics in Eurasia

Venue: Suzhou Wu Culture Museum

Exhibition period: June 30th-September 20th, 2022.

The exhibition brought together more than 190 sets (pieces) of representative cultural relics of various civilizations on the Eurasian continent, and the cultural relics were collected from Syria, Afghanistan, Iran, Turkey, Italy and other countries. These ancient cultural relics from foreign countries show some characteristics of the formation and development of civilizations in the Mediterranean region, western Asia and central Asia, and lead the audience to feel the characteristics of cultures in Asia and Europe and the exquisiteness of cultural relics from different angles.

Beauty surnamed Dong

Venue: Suzhou Museum

Exhibition period: June 3-August 31, 2022

The exhibition found 10 "Dong Shi" recorded in history, from Dong Meiren in Sui Dynasty to Dong Xiaoyuan in late Ming Dynasty, including more than 70 pieces (sets) in different categories, including gold and silver wares, porcelain, inscriptions, ancient books, calligraphy and painting, showing the beauty of ancient ladies’ daily life, telling the marriage and life, talents and images, feelings and ideals of women in Dong Shi through one piece of cultural relics, and using this as a window to explore China.

Zhongzhi Shenzhou —— Gorgeous Luoyang City in Tang Dynasty

Venue: Yangzhou China Grand Canal Museum

Exhibition period: May 27th-August 28th, 2022

There are more than 230 exhibits (groups) in this exhibition, which are from the Institute of Archaeology of Chinese Academy of Social Sciences, Longmen Grottoes Research Institute, Luoyang Museum, Luoyang Institute of Cultural Relics and Archaeology and shangcheng museum in yanshi. The exhibits are all archaeological excavations and collections of Tang Dynasty remains in Luoyang, among which there are rich first-class cultural relics, many of which are exhibited for the first time.

Purple jade is full of fragrance —— Special exhibition of Yixing purple sand in Nanjing Museum

Venue: Yangzhou Museum

Exhibition period: July 29th-October 9th, 2022.

92 pieces/set of Yixing purple sand ware were displayed, and the traditional craft, interesting aesthetics and literati charm of Yixing purple sand were shown to the audience from three aspects: "purple jade and gold sand", "the music is wonderful" and "the rhyme is full and dry".

Henan(Province)

Wang Duo Calligraphy Art Exhibition —— With an array of horses and a pen.

Venue: Henan Museum

Exhibition period: July 8-September 12, 2022

The exhibition carefully selected nearly 80 pieces (sets) of exhibits from 20 cultural and cultural institutions, covering the representative calligraphy works and rubbings handed down from ancient times in Wang Duo, as well as some works of making friends. They were gathered together and displayed in four parts, namely, "Imitating the Sage from Ancient Times", "Exploring the Path to Find Yourself", "Being Broad-minded" and "Writing by Literary Friends", which not only reflected the specific style and aesthetic orientation of the times.

Hebei

Fulu Shouxi Good Life —— Special Exhibition of Auspicious Culture in China

Venue: Hebei Museum

Exhibition period: July 8-November 8, 2022

More than 300 pieces (sets) of exhibits with auspicious meanings have been carefully selected in this exhibition, and the exhibition theme of "Fu Lu Shou Xi" has been condensed, including porcelain, jade, gold and silver wares, calligraphy and painting, fabric, paper-cutting, animal specimens, scientific painting, etc. Through the excavation of traditional auspicious culture in China, the audience can deeply understand the natural and humanistic attributes of animals and plants, and the important influence of auspicious culture on national spirit and social life.

Gracefulness —— The Elegant Life of Empresses in Qing Dynasty

Venue: Chengde Museum

Exhibition period: July 25th-October 25th, 2022.

The theme of the exhibition is the life of imperial concubines in Qing Dynasty. Through three units, namely "beautiful clothes and ornaments", "famous utensils" and "leisure and elegance", nearly 80 cultural relics, such as dress accessories, makeup combs, literary study, calligraphy and painting, needlework embroidery and tea set tableware, are displayed to reproduce the graceful, quiet, rich and unique court life of imperial concubines in Qing Dynasty.

Hunan

Infinite Beauty —— Literature and Female Images in Figure Paintings in Ming and Qing Dynasties

Venue: Hunan Provincial Museum

Exhibition period: June 23rd, 2022-October 30th.

The exhibition is divided into four units: the first unit expresses ancient women’s contribution to the family, the second unit shows the realization of ancient women’s social values, the third unit conveys the influence of women’s spiritual strength on the world, and the fourth unit explains the awakening of women’s self-awareness, focusing on the multiple social roles played by ancient women, their self-cultivation and sense of home country, and showing the literature and female images in figure paintings in Ming and Qing Dynasties.

Shanxi

The Great Man and the King of Chu —— Xuzhou Han Dynasty Chu Cultural Relics Exhibition

Venue: Shanxi Museum

Exhibition period: June 21st-October 10th, 2022.

More than 270 pieces of Han Dynasty cultural relics selected in the exhibition are mainly unearthed from the tombs of several Han Dynasty princes in Xuzhou, supplemented by the tombs of the emperors in Shanxi and related Han tombs, which interpret the historical features of the Han Dynasty vassal countries from various angles and provide a new perspective for the public to understand the culture of the Han Dynasty.

Guangdong

Faxian Dingyao

Venue: Nanyue King Museum

Exhibition period: June 21st-September 20th, 2022.

In the exhibition, 294 pieces/sets of porcelain, kiln furniture and specimens from Ding Kiln in various periods collected by many cultural and cultural institutions in Hebei and Nanyue King Museum were exhibited, including 22 pieces/sets of first-class cultural relics. Combined with exquisite cultural relics, it is divided into six themes: Famous Dingzhou, Beyond the Dust for a Thousand Years, Gunnar Palace, Elegant Geometry, Great White in the World and Millennium Covenant. Through the history, decoration, technology, culture and communication of Ding Kiln, the product appearance, cultural connotation and the development of contemporary Ding porcelain in different periods are presented.

Hong Kong

Opening Exhibition of Hong Kong Palace Museum of Culture

Venue: Hong Kong Palace Museum of Culture

Extension: from July 2, 2022.

Seven special exhibitions were launched in the first phase, presenting more than 700 precious cultural relics from the Palace Museum in Beijing, covering 25 categories such as paintings, calligraphy, bronzes, ceramics, gold and silver wares, jade articles, lacquerware, sculptures, books and classics, with a time span of 5,000 years.

Taipei

The quintessence of rare books and ancient books collected in the Academy —— Brahman and Classic Fold

Venue: North Campus of National Palace Museum in Taipei

Exhibition period: until September 11th.

The exhibition is divided into two parts: "Brahma" and "Sutra". The former starts with "books written on leaves", selects and displays the sutra of Bayleaf in Myanmar, and tells the origin of "Brahma". In the latter, books are hand-rolled, and the earliest Chinese tripitaka-Chongning Zang (in the early 12th century) is matched. After comparing and expounding its evolution, various classics such as Confucianism, Buddhism and Taoism are displayed, showing its unique style of solemnity, prudence, simplicity and elegance.

Popular national treasure exhibition

Venue: Southern Campus of National Palace Museum in Taipei

Exhibition period: January 25th, 2022-January 29th, 2023 (the exhibits will be updated on July 26th).

Focusing on the famous works in the art history collected by the National Palace Museum in Taipei, the cultural relics on display are all popular national treasures. On July 26th, the masterpieces of the Qing Dynasty, such as Yu Bi Shu Wan Shi Shi Shi Biao and fleshy stones, will be exhibited, and Wang Xizhi’s Three Postings of Peace, How to Serve an Orange, will be exhibited from October 4th to October 30th.

Worm hide and seek

Venue: North Campus of National Palace Museum in Taipei

Extension: lasting until September 25th.

The exhibition focuses on the paintings of grass insects in past dynasties, hoping that the audience can find out these little creatures captured by the painter, know their true identities, and understand the stories related to grass insects and the hidden meanings behind them.

abroad

Britain

Taste Impressionism: French Modern Art from millet to Matisse

Venue: National Gallery of Scotland

Exhibition period: July 30th-November 13th, 2022.

The exhibition shows many world-class masterpieces such as Van Gogh, Degas and Gauguin, as well as seven complete sets of Jazz by Monet and Matisse, which tells how Scotland became one of the greatest collections of impressionist and post-impressionist art in the world. The self-portrait just discovered after Van Gogh’s "The Head of a Peasant Woman" in 1885 is also displayed in the form of a light box.

Anatomy: about life and death

Venue: National Museum of Scotland

Exhibition period: July 2-October 30, 2022

The exhibition explores people’s pursuit of anatomical science in the past 500 years, and also shows the art and history related to it. These include Leonardo da Vinci’s sketches and the bones of the corpse trafficker William Burke, a man who killed for science and eventually became a scientific specimen himself.

Pre-Raphael School: Sketch and Watercolor

Venue: Ashmoline Museum, Oxford

Exhibition period: July 15th-November 27th, 2022.

More than 100 pre-Raphael works on paper (including portraits created by painters, commissioned paintings, and themes such as history, literature, and scenery) were exhibited. Most of the works are collected by the Ashmoline Museum since 1893, mainly from the legacy of Martha Qom, a pre-Raphael patron.

Tutankhamun: Digging Files

Venue: Bodley Library, Oxford University

Extension: lasting until February 5, 2023.

This year marks the centenary of the discovery of Tutankhamun’s tomb by British archaeologist howard carter and his team. Different from previous exhibitions which focused on Tutankhamun and howard carter, this exhibition paid special attention to the contributions of other members of the team outside Carter, especially the unknown Egyptian workers who helped to discover Tutankhamun’s mausoleum.

Milton Avery: American master of color matching

Venue: Royal Institute of Art, UK

Exhibition period: July 15th-October 16th, 2022.

Milton Avery (1885 -1965), a modern American artist, is regarded as one of the greatest color masters in North America in the 20th century. He described the American land and seascape in the wild way of French Fauvism, which had an important influence on the creation of Roscoe, Pollock and others. The exhibition presents 70 paintings created by him from 1930s to 1960s, which are usually characterized by depicting daily life, including portraits of relatives, tranquil scenery in Maine and Cape Cod.

Edvard munch: A masterpiece from Bergen.

Venue: Courtyard Gallery

Exhibition period: May 27th-September 4th, 2022.

From the 1980s to 1909, the exhibition spanned several decades, and only 18 works of Monk were exhibited, but each one was a masterpiece full of vitality and dramatic tragedy. The works on display include Morning (1884), Summer Night (1889), Night of Karl John (1892), Melancholy (1894-1896) and Before Dying (1895), which shows the development of Munch’s art.

Picasso and Angel: Face to face

Venue: British National Museum

Exhibition period: June 3-October 9, 2022

Picasso’s Woman with a Book (1932) at the Norton Simon Museum in California was exhibited for the first time alongside its inspiration Anger’s painting Madame Moisil. Picasso met the mysterious Madame Moisil for the first time in an exhibition in Paris in 1921, and was deeply fascinated. In the next ten years, Picasso repeatedly paid tribute to Angel in his works of art.

Female Power: From Gods to Demons

Venue: British Museum

Exhibition period: May 19th-September 25th, 2022.

With the theme of "Women’s Power", the exhibition brings together ancient paintings, sculptures, sacrificial objects and modern and contemporary artworks from six continents around the world, focusing on the female gods and demons worshipped and feared by human beings in the past 5,000 years, and examining the role played by women in shaping human cognition of the world from a cross-cultural perspective.

Reconstruction: the woman in the window

Venue: Dulwich Art Museum, London

Exhibition period: May 4th-September 4th, 2022.

The exhibition spans all ages, starting from an ancient Greek vase, and brings together more than 50 works by Botticelli, Luo Saidi, Hockney: A Life In Pictures, Bourgeois, Cindy Sherman and other artists, revealing how artists interpret women in different times and cultures with a traditional theme.

United States of America

Chrome: Ancient Color Sculpture

Venue: Metropolitan Museum of Art, New York

Exhibition period: July 5, 2022-March 26, 2023

In the original and energetic form, the exhibition "restored" and reproduced 14 ancient Greek and Roman statues such as the Sphinx, as well as more than 40 other ancient sculptures and pottery. In the bright exhibition hall of the Metropolitan Museum, they talk with ancient sculptures polished by time into pure white.

Memory of water

Venue: Metropolitan Museum of Art, New York

Extension: lasting until April 2, 2023.

This is a small, poetic and multifaceted exhibition, which discusses the material and symbolic role of water in Native American life. Organized by Patricia Marroquin Norby, deputy curator of American art at the Metropolitan Museum of Art, the exhibition combines traditional cultural relics in the museum’s permanent collection with contemporary works on loan, some of which are made by non-indigenous artists.

Raphael-The Energy of Renaissance Images: Dresden Tapestry and Its Influence

Venue: Columbus Museum of Art, USA

Exhibition period: it will be exhibited until October 30, 2022.

Six large-scale tapestries of biblical scenes designed by Raphael were exhibited, which were based on the same batch of design sketches as Raphael’s tapestries for the Sistine Chapel, and were woven by a workshop in London after Raphael’s death. The exhibition tries to show the power of image reproduction hundreds of years ago and the influence of Raphael tapestry painting on later artists.

"Cezanne" Special Exhibition

Venue: Chicago Museum of Art

Exhibition period: May 15th-September 5th, 2022.

The exhibition explores Cezanne’s cross-media and cross-genre artistic practice through 80 oil paintings, 40 watercolors and sketches, and two complete sketches. In addition to still life, portrait theme, impressionist landscape painting, Mount St. Victor, "Bather" series and other iconic painting themes of Cezanne, the exhibition also exhibited early fable paintings that were little known. These works combine the artist’s palette, composition deconstruction and other most advanced technical analysis to interpret how Cezanne conceived and made the image step by step towards the truth of the human eye.

Matisse: The Red Studio

Venue: new york Museum of Modern Art (MoMA)

Exhibition period: May 1st-September 10th, 2022.

The exhibition brings together six existing paintings, three sculptures and a ceramic work from the works in The Red Studio, and presents them in the exhibition-they were in Matisse’s studio when Matisse drew The Red Studio. It is reported that this is the first reunion of these works after more than one hundred years.

Diego Rivera’s America

Venue: San Francisco Museum of Modern Art

Exhibition period: July 16th, 2022-January 2nd, 2023.

The exhibition presents 150 oil paintings, murals and sketches by this Mexican artist. The exhibition focuses on Rivera’s creation from the 1920s to the 1940s, when he regarded murals as "weapons" of social change and expressed his vision of "Pan-American reunification" on both sides of the border between Mexico and the United States.

Georgia O ‘Keeffe, photographer.

Venue: Denver Art Museum, USA

Exhibition period: July 3-November 6, 2022

When Ou Jifu devoted herself to photography in the mid-1950s, her creative identity and unique artistry had been established. Photography showed the artist’s persistent fascination with natural cycles and changes, while the exhibition was a tribute to Ou Jifu’s fascination with visual metaphors.

Norway

Norway’s new national museum opens

Venue: New National Museum of Norway

Exhibition period: from June 11th.

The new National Museum of Norway is composed of the National Gallery of Norway, the Museum of Architecture, the Museum of Decorative Arts and Design and the Museum of Contemporary Art, with a cost of about 500 million pounds and more than 6,500 collections on display. The new National Museum specially set up the "Monk Hall" for edvard munch, displaying 18 core works of Monk, including Scream.

Italy

The 59th Venice Biennale

Venue: Venice

Exhibition period: April 23rd-November 27th, 2022.

The theme of the exhibition is the short story "Milk of Dreams" by Leonora carrington, a British-born Mexican surrealist artist, which discusses post-human, deformation, ecology and other issues. The exhibition itself is like a revival of surrealism in this era.

The theme exhibition of this Biennale has 213 artists from 58 countries and 81 countries. It is reported that the number of artists participating in this Biennale will be the highest since 2005, which is double the number of the previous Biennale. At the same time, this Biennale has set the highest number of female artists, and more than 80% of the participating artists are women.

France

The Golden Age of the Portuguese Renaissance

Venue: Louvre

Exhibition period: until October 10, 2022.

About 15 Portuguese paintings that are rare in France are exhibited, showing this fragment that is rarely mentioned in the history of art. The Portuguese Renaissance combined Flemish style with local national traditions, and developed its own unique style by combining keen and even humorous observation and narration.

German/1920s/New Objectivism/august sander

Venue: Pompidou Art Center

Extension: lasting until September 5, 2022.

The exhibition covers painting, photography, architecture, design, literature and music, etc. From Santer’s photographic work "People in the 20th Century" to otto dix’s portrait series, it depicts a group image of the 20th century and resonates with the present world undergoing various changes.

Germany

The 15th Kassel Literature Exhibition

Location: Castle Land

Exhibition period: June 18th-September 25th, 2022.

The exhibition was curated by ruangrupa, an Indonesian artist group. They got inspiration from the "Micang" in rural Indonesia, formed the curatorial concept, and regarded the literature exhibition as a collective resource "from and used in Kassel city" to support local artistic practice.

The 12th Berlin Biennale

Venue: Berlin Art Institute, Hamburg Railway Station Art Museum, KW Center for Contemporary Art, etc.

Exhibition period: June 11th-September 18th, 2022.

The theme of the 12th Berlin Biennale is "Still exists!" Curator Kader attiya, a French-Algerian interdisciplinary artist, discussed the theme of "Crazy and destructive competition of global capitalism in production". Other topics covered in the exhibition include global warming, decolonization and the role of human beings in it. However, what supports this Berlin Biennale is neither the past nor the colloquial future, but it points to the real world in different ways.

Schliemann’s world

Venue: James Simon Art Museum and New Museum.

Extension: lasting until November 6, 2022.

2022 is the bicentennial of the birth of Heinrich Schliemann, a German archaeologist and discoverer of the ancient city of Troy. There are about 700 exhibits on display in this exhibition, including spectacular archaeological excavations, as well as many international borrowed exhibits, which will focus on the unexposed side of schliemann and what he was like before he started archaeology. The exhibition also uses the current research results to critically examine the archaeological methods of schliemann’s time.

Switzerland

The Evolution of mondriaan

Venue: Basel Beyeler Foundation

Exhibition period: June 5-October 9, 2022

There are 89 works on display, 82 of which are borrowed from art institutions and private collectors all over the world. Through the comparison and continuation of works in different periods, we can see the changes of mondriaan’s art.

Picasso-El greco

Venue: Basel Art Museum

Exhibition period: June 11th-September 25th, 2022.

The exhibition traces greco’s influence on Picasso in the form of a pair of their works, highlighting the lifelong kindness of the "old master" to the modernists.

Japan

In 2022, the wife of Yue Hou had an art festival of the earth.

Location: Yue Hou’s wife has

Exhibition period: April 29th-November 13th, 2022.

Among this year’s earth art festival, there are the dead Christian’s "Mori Jing", the Russian artist Kabakov and his wife’s new work "Tower of Holding Hands" that have participated since the first session, and the Ukrainian artist Jenna Kadyrova’s "stone bread" that yearns for daily life and peace; The works of Japanese local artists reflect the local culture and the use of daily tools.

Dialogue between Nature and Man: From Friedrich, Monet, Van Gogh to richter

Venue: National Western Art Museum

Exhibition period: June 4-September 11, 2022

To celebrate its reopening, the National Museum of Western Art in Japan launched this exhibition in cooperation with the Museum Folkwang, Essen) in Germany. Focusing on the "Dialogue between Nature and Man", it brought together more than 100 collections from German Romanticism, Impressionism and Post-Impressionism to modern art in the 20th century, and traced back the changes of western perception of nature and artistic expressions in modern times.

State Administration of Market Supervision: Improving the Elevator Safety Supervision Mechanism through Multi-governance

  "The first step out, the last journey home." With the rapid development of urban construction, elevators have become the most frequently used special equipment in people’s daily life, which is directly related to people’s life safety and quality of life.

  How to manage elevator safety? How to calculate the accident dispute? How to protect consumer rights? Recently, following the State Administration of Market Supervision, the reporter started with the implementation of the supervision of safety subject responsibility, conducted research and analysis on the current situation of elevator safety supervision in grass-roots supervision departments, and put forward positive opinions and suggestions.

  Exploring elevator "providing for the aged" in the whole life cycle

  In Gongshu District, Hangzhou City, Zhejiang Province, more than 2,000 elevators participated in the "endowment insurance". This is in September 2017, under the guidance of the provincial and municipal market supervision departments, Gongshu District pioneered the comprehensive insurance management model of elevator "endowment" and promoted it to elevators outside the house. Up to now, the elevator failure rate in Gongshu District has dropped for the first time in many years, among which the failure rate of insured elevators has dropped by more than 20%, and all the communities on the city’s elevator failure list have achieved "uncapping".

  In recent years, with a large number of elevators entering the "aging" era, the demand for maintenance and renewal has increased, resulting in problems such as low quality of maintenance and difficult implementation of funds. "In the past, even replacing elevator parts was very cumbersome and required the consent of more than two-thirds of the residents. The fragmented elevator maintenance service was not only inefficient, but also increased the maintenance cost." Yuan Jianfeng, deputy director of the special department of Hangzhou Municipal Market Supervision Bureau, said that the old elevators not only have safety risks, but also the high cost of overhaul and even replacement has brought pressure to the community and residents.

  Through the policy agreement, the elevator "old-age" comprehensive insurance packages the daily maintenance, repair and inspection expenses to the insurance company in the form of premium, and the insurance company supervises the maintenance quality of the elevator maintenance unit, and implements market-oriented management for the repair and replacement of spare parts. When the old elevator needs to be overhauled or replaced after being insured for a certain number of years, the insurance company will bear part of the expenses in proportion, thus diluting the cost of "providing for the aged" of the elevator.

  "As the ultimate risk taker, the interests of the insurance company and the owner are highly consistent. After the elevator is insured, the insurance function is changed from post-claim service to pre-risk prevention and in-process risk control, actively relying on the professional technical team to control the elevator operation risk, and at the same time forcing the maintenance unit to improve the service quality, forming ‘ Survival of the fittest ’ The market environment. " Yuan Jianfeng introduced that the regulatory authorities "retreated half a step" from the original all-inclusive management, and introduced insurance mechanism to realize the elevator life cycle management, thus promoting the multi-co-construction and co-governance of government supervision, market operation and public participation, and effectively solving the problem of funds for elevator "minor illness repair" and overhaul.

  After the insurance company’s "physical examination" and calculation of the insured elevators, all 23 elevators in Hushu Jiayuan, Gongshu District were insured, and each elevator invested an average annual premium of more than 8,000 yuan. Although this cost is slightly higher than the previous daily maintenance expenditure, in the long run, the owners feel that this account is very cost-effective. Chen Yougen, property manager of Qingshui Apartment in Hushu Street, said that since the insurance company intervened in elevator safety management, the fast payment process was used to solve the financial problem and improve the maintenance efficiency.

  Constructing risk sharing insurance mechanism

  According to statistics, in the past 15 years, the number of elevators in China has increased by an average of 15% annually, and the death rate of 10,000 elevators has continued to decline. In 2018, there were 31 elevator-related accidents in China, with 28 deaths, and the death rate of 10,000 elevator accidents was close to 0.04. Under the "double pressure" of the sharp increase in the total number of elevators and the increasing number of old elevators year by year, the overall stable safety situation will continue to be maintained.

  Elevator safety liability insurance, as a kind of special equipment insurance, mainly covers the liability for compensation for casualties or property losses of third parties caused by accidents in the process of installation, operation, maintenance and inspection of elevators. Article 17 of the Law of the People’s Republic of China on the Safety of Special Equipment clearly stipulates: "The State encourages the insurance of special equipment safety liability insurance."

  What practical problems did the elevator liability insurance solve? In Guangdong, which was the first to implement elevator liability insurance, I have a deep understanding of this. "As early as 2009, there was an incident in Guangdong where children left their parents to monitor and blindly climb ladders, which caused a sensation in public opinion. Since then, there have been many accidents in which children took elevators because of wearing hole shoes. In the past, it was necessary to investigate the cause of the accident before they could pay compensation. Often, the injured were not treated in time, and the children were at fault and might not get compensation. This shows that our elevator supervision system must be reformed." Luo Xiangping, deputy director of the special department of the Guangdong Provincial Market Supervision Bureau, said.

  "Most elevator accidents occur in the use process, which is closely related to the use management and daily maintenance quality." In 2012, Guangdong initiated the reform of elevator safety supervision system in the whole province, in which it was made clear that the use of elevators was centered on the first responsibility of managers, elevator liability insurance was implemented, and legal enforcement of first liability and first compensation was established. Luo Xiangping told reporters that this changed the parallel position of the legal responsibility of the elevator use manager and the maintenance unit into a vertical position, built a responsibility chain, and played the role of insurance in timely rescue and early resolution of contradictions. "Nowadays, the masses know who to look for when an elevator is in trouble, who to look for when an elevator is trapped, and who to look for when an elevator is in trouble. The social effects of active supervision by elevator owners and passengers are increasingly apparent, which have effectively promoted the implementation of corporate safety main responsibility."

  Xia Yong, Director of the Elevator Division of the Special Bureau of the State Administration of Market Supervision, introduced that in recent years, the General Administration has actively and deeply promoted the practice of elevator safety liability insurance. Approve Ningbo and other places to carry out the pilot project of upgrading from pure "insurance" to "insurance+service", promote the code of conduct of maintenance, implement the safety subject responsibility of elevator use management, and strengthen the civil liability relationship between elevator passengers and use managers; Support Nanjing to adhere to the principle of "compensation first" and "small amount of quick payment", so that residents in residential areas no longer have to pay premiums, and establish a "second generation" elevator safety liability insurance for fast settlement of claims.

  "In the past, it was precisely because the government was too meticulous in the elevator safety supervision process, which weakened the sense of responsibility of property companies. When installing elevators, it was shoddy and the maintenance was not in place ‘ Sick ’ Problems such as operation are highlighted. " Xia Yong said that elevator safety supervision is now changing to be result-oriented, making full use of market rules to promote elevator liability insurance, and establishing a social insurance mechanism for risk sharing. In the next step, we will continue to encourage all localities to combine their own characteristics and continuously enhance the social security capacity of insurance under the premise of complying with laws and regulations and conforming to insurance principles.

  Smart supervision guides science to "prevent disease"

  "At present, we are constantly exploring the positive role of elevator safety liability insurance in promoting elevator supervision, and how to apply market means to form a new situation of elevator safety social co-governance with extensive participation." He Yi, the second-level inspector of the Special Bureau of the General Administration of Market Supervision, said.

  China is a big country in elevator production and use, and the number of elevators, annual output and annual increment are the highest in the world. By the end of 2018, the number of elevators in use in China had reached 6.28 million, accounting for about one-third of the world total. More and more houses are equipped with elevators, which brings convenience to residents’ lives. However, the use of inferior elevators, faulty elevators and "aged" elevators, as well as the ambiguity of elevator maintenance and management, make elevator safety touch the psychological bottom line of the people again and again, which puts forward higher requirements for elevator safety supervision.

  At present, the elevator emergency disposal system oriented to intelligent construction is gradually being established. The market supervision department of Hangzhou makes full use of information technologies such as the Internet of Things and cloud computing. After receiving the alarm that citizens are trapped, the "96333" emergency disposal center locates the faulty elevator in real time through the intelligent rescue electronic map, and the platform directly distributes electronic task sheets to the maintenance units to realize the nearby rescue. In addition, Hangzhou actively promotes elevators equipped with intelligent supervision devices to realize automatic identification, automatic positioning and automatic alarm of trapped people. The information of trapped people in elevators is matched and transmitted to the 96333 platform at the first time, and the average time for rescuers to arrive at the scene is shortened by more than 2 minutes compared with the traditional manual alarm disposal. At present, there are more than 14,000 smart elevators connected to the 96333 platform.

  In January this year, Hangzhou also signed the first elevator pension insurance in China. "In the face of the outstanding problems such as the difficulty in implementing the main responsibility for installing elevators in existing houses and the difficulty in long-term follow-up management, we will also explore ‘ Insurance +’ The owner’s autonomous management mode ensures the sustainable operation and use of the installed elevator. " Lu Jianxiang, deputy director of the Hangzhou Municipal Market Supervision Bureau, said.

  Lu Jianxiang said that in order to meet the needs of elevator safety supervision, Hangzhou promoted elevator insurance, carried out star rating of maintenance units, encouraged the application of advanced technology, and actively strived for elevator legislation. Through the promulgation and implementation of the "Hangzhou Elevator Safety Management Measures", it was stipulated that remote monitoring devices should be used as the standard requirements for newly installed elevators to leave the factory, and real-time risk monitoring and early warning of elevators should be carried out by smart means to achieve the effect of "preventing diseases". "Build a platform with the tangible hand of the government, activate the invisible hand of society to play a role, and then use the magical hand of technology to make the intelligent supervision of elevators benefit millions." (Reporter Guo Jingyuan)

Notice of the State-owned Assets Supervision and Administration Commission of Beijing Municipal People’s Government and other seven departments on matters related to the reduction and exemption of hou

Jing Guo Zi Fa [2022] No.5

District governments and relevant municipal departments:

  In order to implement the National Development and Reform Commission and other departments’ "Several Policies on Promoting the Recovery and Development of Difficult Industries in the Service Industry" (No.271 [2022] of the Development and Reform Commission) and other relevant requirements, with the consent of the municipal government, we hereby make a good notice on the reduction and exemption of housing rent for small and micro enterprises and individual industrial and commercial households in the service industry in this Municipality as follows:

  First, the object of relief

  This notice is applicable to small and micro enterprises and individual industrial and commercial households (hereinafter referred to as small and micro enterprises) in the service industry who are registered in Beijing or pay taxes in Beijing and rent state-owned houses in government agencies, institutions and state-owned enterprises (including state-owned holding enterprises and state-owned enterprises). The scope of the service industry can be identified by the National Bureau of Statistics’ Classification of National Economic Industries in 2017 (GB/T 4754—2017) and the Notice on Amending the Provisions on Three Industrial Divisions (2012) (Guo Tong Design Management Letter [2018] No.74). The scope of small and micro enterprises can be identified by referring to the inquiry module of the directory of small and micro enterprises on the official website of the State Administration of Market Supervision, or by the proof materials provided by the lessee that meet the classification standards of Notice on Printing and Distributing the Classification Standards for Small and Medium-sized Enterprises (No.300 [2011] of the Ministry of Industry and Information Technology) and Notice on Printing and Distributing the Classification Standards for Financial Enterprises (No.309 [2015] of the Ministry of Industry and Information Technology).

  Second, the relief requirements

  In 2022, the state-owned houses listed as high-risk areas in the epidemic area will be exempted from the rent for six months in 2022 according to the rent standard agreed in the house lease contract; Rent for other areas will be reduced for 3 months. The relief work should be basically completed in the first half of the year; If the medium and high risk areas added after the issuance of this Notice need to be supplemented and reduced to 6 months, they will be completed within 2 months from the time they are listed as medium and high risk areas. If the lessee’s actual lease term is less than one year in 2022, it will enjoy the reduction and exemption in proportion to the actual lease term. If the lease contract involves special circumstances such as rent-free period, it shall be agreed by both parties through consultation.

  Third, the way of relief

  State-owned housing rental units can take free, refund and other ways to reduce rent. After both parties reach an agreement through consultation, it can also be implemented in other ways such as extending the lease term of the contract free of charge according to the reduction standard. For the houses that are subletted, if the sublessors are government agencies, institutions and state-owned enterprises in this Municipality, the lessor and the sublessor shall reduce or exempt the rent for the sublessor and the final lessee respectively according to the rent standards agreed in the lease contract; If the sublessor is not the above-mentioned state-owned unit, the state-owned housing rental unit shall reduce the rent for the sublessor according to the standard, and require the sublessor to reduce all the rent reduced to the small and micro enterprises that are finally leased by signing a reduction agreement with the sublessor and the final lessee, and advocate the sublessor to share the reduction amount reasonably. If the sublessor intercepts or refuses to cooperate with the rent reduction and exemption without reason, the state-owned housing rental unit may stipulate in the reduction and exemption agreement that it should be included in the "blacklist" of state-owned housing lease, its behavior should be exposed or the lease contract should be terminated in advance.

  Fourth, the relief process

  (1) Inform

  State-owned housing rental units shall promptly take the initiative to inform the lessee of the reduction and exemption policy, application process, application material requirements, contact information and other information.

  (2) Application

  Eligible small and micro enterprises apply to the lessor, and provide relevant certification materials for small and micro enterprises in time according to the lessor’s requirements, and bear corresponding legal responsibilities for the authenticity, accuracy and completeness of the above information.

  (3) Acceptance

  State-owned housing rental units shall promptly accept the application for rent reduction and inform the audit results. Do not meet the conditions for relief, should be informed in a timely manner and make a good policy explanation.

  (4) reduction or exemption

  State-owned housing rental units to fulfill the relevant decision-making procedures (including the municipal administrative organs and institutions reported to the competent authorities for approval), signed relevant agreements with relevant parties, do a good job in archiving relevant materials, and according to the agreement to reduce rent.

  The specific process can be implemented with reference to Annex 1 or further refined.

  V. Support measures

  Implement preferential tax policies for small and micro enterprises. The rent reduction and exemption of housing owners, in line with the current property tax, urban land use tax reduction and exemption policies, shall be reduced according to law. For small and micro enterprises that rent non-state-owned houses and cannot get rent relief, the local district government can give appropriate assistance in light of the actual situation. State-owned enterprises and institutions whose operating performance is affected by rent reduction and exemption shall be recognized by the higher authorities in the assessment according to the actual situation.

  VI. Relevant requirements

  (a) a clear division of responsibilities. State-owned housing rental units are the main body to implement rent reduction and exemption, and all districts, institutions and municipal enterprises are responsible for organizing the state-owned units under their management to carry out rent reduction and exemption. Municipal State-owned Assets Supervision and Administration Commission, Municipal Finance Bureau, Municipal Bureau of Organs Affairs, Zhongguancun Administrative Committee of Municipal Science and Technology Commission, Economic Development Zone Administrative Committee, Municipal Cultural Resources Center and other units shall do a good job in centralized supervision and guidance according to their duties.

  (2) Establish a working mechanism. All districts, government agencies, institutions and municipal management enterprises should find out the housing lease situation of the state-owned units under their management as soon as possible, formulate work plans, clarify the responsible departments, strengthen supervision and inspection, optimize the relief procedures, proactively disclose information such as contact information, work flow and application materials requirements to the lessee, and conscientiously make policy answers. Departments with heavier relief tasks can set up special service windows to improve the efficiency of relief. Within 7 working days from the date of issuance of this notice, all districts, institutions and municipal enterprises involved in rent reduction and exemption for small and micro enterprises shall submit the Contact Form for Rent Reduction and Exemption of State-owned Houses in this Municipality (see Annex 2) to the Municipal State-owned Assets Supervision and Administration Commission, the Municipal Bureau of Organs Affairs and the municipal state-owned assets supervision and administration institutions respectively. All districts, Municipal Bureau of Organs and Municipal State-owned Assets Supervision and Administration Institutions shall, before the 1st day of each month, summarize the progress of the system reduction and exemption and submit the Statistical Table of Rent Reduction and Exemption of State-owned Houses (see Annex 3) to the Municipal State-owned Assets Supervision and Administration Commission.

  (3) Operating in compliance with the law. All units should resolutely guard against illegal operations in rent reduction and exemption, and strictly guard against behaviors such as interest transfer, abuse of power, abuse of power for personal gain, and black-box operation. All districts and departments shall timely carry out special supervision and inspection.

  VII. Other matters

  Other institutions that are not within the scope of application of this Notice but whose business format and scale meet the relevant standards of small and micro enterprises in the service industry, which are indeed difficult to operate due to the impact of the epidemic and make demands for rent reduction, the relevant state-owned housing rental units can be included in the scope of reduction and exemption after performing relevant procedures in combination with the relevant provisions of state-owned assets supervision and their own reality, and implement reduction and exemption with reference to this Notice. Encourage non-state-owned housing rental entities in the region to share the losses caused by the epidemic reasonably on the basis of equal consultation.

  Where there are other provisions in laws, regulations and articles of association concerning listed companies, such provisions shall prevail; Collective enterprises in this Municipality may refer to this notice; The rent reduction and exemption of houses outside Beijing by government agencies, institutions and state-owned enterprises at all levels in this Municipality shall be implemented with reference to local policies.

  From January 1, 2022 to the date of issuance of this notice, this city is listed as a medium-high risk area, including Chaoyang District, Fengtai District, Fangshan District and Daxing District. The adjustment of subsequent high-risk areas in this Municipality shall be subject to the publication of "the State Council Client applet".

  The right to interpret this notice belongs to the issuing unit.

  Attachment: 1. Operational Guidelines for Small and Micro Enterprises and Individual Industrial and Commercial Houses in this Municipality to Apply for Rent Reduction of State-owned Houses in 2022.

     2 the city’s state-owned housing rent relief work contact table

     3 state-owned housing rent relief statistics

State-owned Assets Supervision and Administration Commission of Beijing Municipal People’s Government    

beijing finance bureau    

Beijing Municipal Science and Technology Commission, Zhongguancun Science Park Management Committee    

Beijing municipal organ affairs management bureau    

State Taxation Administration of The People’s Republic of China Beijing Municipal Taxation Bureau    

Administrative Committee of Beijing Economic and Technological Development Zone    

Beijing State-owned Cultural Assets Management Center    

April 22, 2022  

I hope the next generation can grow up watching domestic animated films.

  Producer Lu Xi

  Director Evonne.

  The ethereal Jinxia Cave House, the magnificent Huashan Wonderland, and the dazzling light of the mysterious birds … … On August 19th, "The List of New Gods: Yang Jian" was released, and the amazing visual effects won praise. Under the new overhead background, the movie’s setting of the fairyland subverted the public imagination. Yang Jian, Aquilaria Resinatum, Shen Gongbao, Four Heavenly Kings and many other cool gods appeared one after another. As an antique fantasy visual effect blockbuster, every extraordinary imagination in the movie seems to see Guo Man’s figure struggling to leap forward.

  How does the second part of the New God List series break the facial makeup of Erlang God Yang Jian? How do the stories of Yang Jian and Aquilaria blend together? How is the "rare" Taiji diagram of three-dimensional rendering ink painting made in the film? Listen to what the creators of "New God List: Yang Jian" say.

  Choose Yang Jian because he is a familiar stranger.

  Lu Xi, the producer of "New God List: Yang Jian", introduced that the development and creation of the film started in early 2019, and the story was confirmed in the second half of 2019, and it began to enter the early art exploration and further story polishing. In 2020, the development of three-dimensional character LookDev was launched, and the construction of digital assets, the exploration of role performance, the design of lens language, and the early stage of dynamic capture testing were gradually promoted, and the development of synchronous music was also being promoted. Mid-production reached its peak in 2021, and simultaneous production was also started at the end of the year. In June 2022, the whole film was produced.

  Regarding why Yang Jian’s story was chosen in the second part of the "New God List" series, Lu Xi said that although the public knew Yang Jian, they didn’t have such a detailed understanding of his story. "We have both a sense of acquaintance and freshness, so we chose Yang Jian as the protagonist."

  Evonne, the director, also said that Yang Jian is widely recognized, but he rarely elaborates his film and television works, and Yang Jian is a supporting role or villain in many works, even a little facelift. Therefore, if the New God List series tells the story of Yang Jian, there will be more possibilities to explore. Evonne said: "The charm of the film lies in the fact that different people can have different interpretations, and the story itself is very rich in dimensions."

  "The List of New Gods: Yang Jian" interprets the classic myth of "saving the mother by splitting the mountain" from a new perspective, and tells the story that after Yang Jian, who was down and out because of the damage of his eye, met his nephew Chen Xiang, who was eager to save the mother, his uncles and nephews went on a thrilling fantasy adventure together.

  In "Lotus Lantern", the story of agarwood chopping a mountain to save her mother is a household name. To the surprise of director Evonne, when collecting materials, he found that Yang Jian also had a story of chopping a mountain to save her mother. "I didn’t know this story before I made this film. After discovering this point, I think he is also begging for his mother, so why stop his nephew from doing it to save his mother? It doesn’t make sense, so I hope I can tell it again from a new perspective and integrate the two stories of saving my mother by splitting the mountain. Aquilaria went to Lushan to save her mother because of her thoughts about her mother. Yang Jian also experienced the same thing. The emotional core of this film is to go through fire and water for her loved ones. "

  In Evonne’s view, Yang Jian is an introverted person, and he doesn’t want his true feelings to be perceived by others. In fact, Yang Jian is an emotional person, and his heart is very soft. "In the film, Yang Jian’s expression of affection is restrained, but it can be seen that Yang Jian knows that Aquilaria has been separated from his mother since childhood. Because he has similar experiences, he understands Aquilaria very well, and at the same time feels embarrassed about the lack of companionship of relatives in the growth of Aquilaria, so he cares for Aquilaria all the way. He has been helping Aquilaria and accompanying Aquilaria as an aunt."

  Standing 1.9 meters tall, the former God of War became a handsome boy.

  Yang Jian is a handsome character in traditional mythology, and his fighting power is also top-notch, and he has distinctive features, such as three eyes and a roaring dog around him. Evonne said that this gave them plenty of creative space, but in "The List of New Gods: Yang Jian", the former god of war was damaged by the eye of a lotus lantern twelve years ago. Evonne said that Yang Jian’s eye in the sky is a visual feature that the audience is most familiar with. "Yang Jian with eyes in the sky is a very powerful fairy, so in fact, in the early stage of creation, we thought that if his most powerful feature was removed, what kind of state would this character enter?" Lu Xi also said: "We want to be a Yang Jian with a different image from the past. If you are blind, the state that Yuan Shen can’t summon is very different from his original image."

  Therefore, different from the image of Yang Jian in previous film and television works, Yang Jian in "The List of New Gods: Yang Jian" has a high face value, but he has become a "down-and-out handsome guy" because of hurting his eyes.

  Cui Yuemei, the director of character design for "The New God List: Yang Jian", designed about 180 characters for this film. "Compared with previous works, the workload in character design is about 10% more." Among them, Yang Jian’s version of character image design is the most. "One of the difficulties in Yang Jian’s design is that we have to design many different states, such as his daily state, the state after awakening, the state of reopening the third eye, and the state of war damage. Another difficulty is that Yang Jian needs to be physically fit from childhood to youth and then to adulthood. We need to let everyone know that this is Yang Jian Jr., and he is a person with adult Yang Jian, so there will be some difficulties. The design time of the role of Yang Jian is about half a year. Because it is the first protagonist, we spend more energy and time. We will do a lot of exploration: including the collection of reference materials and some attempts in drawing. "

  Cui Yuemei said that they designed Yang Jian’s height to be 1.9 meters. "We designed Yang Jian to be tall and handsome, and the whole proportion is slender and tall."

  Because Yang Jian is positioned as a lonely fairy, although he is in a state of wandering clouds and wild cranes, he used to be very beautiful, so the texture of his clothes is quite particular. "The texture of the white robe is expensive silk, and the skirt of his outer robe has not been buttoned up, because Yang Jian’s personality is easy-going and chic, so we don’t think he will wear this kind of personality particularly formally, so we made the clothes a little bit open to make him look more relaxed and lazy as a whole."

  Designers also designed some moire patterns on Yang Jian’s clothes, because: "Yang Jian came from Jinxiadong, which is a fairyland, with a lot of clouds and fog. Our moire patterns have some echoes with his origin, and the moire patterns have an unruly feeling, which accords with Yang Jian’s personality. At the same time, moire patterns are also a typical pattern in Wei and Jin Dynasties. Yang Jian’s robe and headscarf used tie-dye elements, because this film mainly refers to the style of Wei, Jin, Southern and Northern Dynasties, which was a popular element at that time, and the tie-dye culture was more in line with Yang Jian’s laid-back personality. "

  Yang Jian’s armor also refers to the armor of Wei, Jin, Southern and Northern Dynasties, but Cui Yuemei said that because Yang Jian was a mythical character after all, they took the armor of Wei, Jin, Southern and Northern Dynasties as the basis, plus some celestial elements they designed, and integrated them.

  Yang Jian was a handsome boy when he was wearing armor. He was very sunny, young and warm-blooded. Later, because Yang Jian experienced a lot of things, his expression was relatively indifferent. "We added some stubble to his face and made the skin texture a little rough, which made people feel that he had experienced something and his mental outlook was different."

  For Yang Jian’s Eye of the Sky, the design team has tried more than a dozen schemes. "For example, how big his eye is, how big his pupils are, and whether there are patterns and special effects. Later, after various attempts, we determined the current version, which is more in line with the setting of Yang Jian in the film."

  The most difficult scene is Jinxiadong, and the most complicated scene is Penglai.

  Compared with Yang Jian’s "magic face", the "face value" of the fairyland in the film is not too high, and the visual styles of Penglai, Fanghu and Yingzhou have their own characteristics, which brings the audience the shocking feeling of "where to find the fairy tales, between heaven and earth".

  Penglai Fairyland is like a three-dimensional city, with all kinds of spectacular buildings and spaceships shuttling through it, which is spectacular. The Qionglou Yuyu on Fanghu Xiandao is brightly lit, just like a bustling city that never sleeps. Yingzhou Xiandao is inspired by Dunhuang Crescent Spring, and the towering pavilions in the desert oasis have great visual impact. In addition, the legendary Yuquan Mountain, where Yang Jian’s master is located, is also exposed for the first time. It takes Taihu Stone as the core element, and the peaks are left behind and independent of the clouds, and the artistic conception is ethereal. The artistic styles of the three fairy islands are based on the Qin and Han Dynasties, and combine the characteristics of some northern and southern dynasties. After many animation production steps, such as modeling and rendering, the ethereal fairyland was "born", the details were full, and the ancient fantasy came to my face.

  Evonne said that one of the main reasons why this film particularly attracted him was the "fairy world". "What is the life of the immortals? The description of fairyland in classic animation works is basically a Chinese-style palace, where immortals are walking in clouds. We broke this thing from the beginning this time. For example, in this film, it was directly set that immortals could not fly in the sky after the last World War, and everyone could only sit ‘ Spacecraft ’ We also hope to expand everyone’s imagination about the fairy world in this way. "

  Gui Ye, the artistic director, said, "The artistic design of the film has been prepared for about a year. Besides going to Dunhuang and Shaanxi History Museum, I also found a lot of materials. The artistic style refers to the Wei, Jin, Southern and Northern Dynasties, because there are few pictures, so I can only take materials from some cultural relics and literal materials, and then transform them into pictures and integrate them into the film. The overall artistic style of the film refers to the Wei, Jin, Southern and Northern Dynasties, whether it is role costumes or props (such as celadon lacquerware), and the architectural style refers to the styles of Wei, Jin, Southern and Northern Dynasties and Han Dynasty. "

  Talking about the design inspiration of Penglai, Fanghu and Yingzhou, Mr. Gui said that because these three fairy islands are all in myths and legends, there are few related written materials. "So we played on the basis of the original text and drew inspiration from some ancient buildings in China to design. The most important thing is to serve the plot."

  Master Gui revealed that the most difficult scene is Jinxiadong, and it is difficult to create an ethereal and quiet atmosphere in Jinxiadong. Penglai is the most tedious and time-consuming. "Jinxia Cave is more difficult, and it is the feeling of the traditional fairy mountain in China. It is surrounded by clouds, pines and cypresses, and there is a cloud-like waterfall. When creating, it uses three-dimensional technology to restore the two-dimensional cloud sense, mainly pursuing the fairy spirit and charm."

  How to integrate scientific and technological elements into ancient scenery? Master Gui said that the part of the film that embodies science and technology is mainly mixed energy, which is equivalent to electricity and gas in reality. "When I looked up the information, I found that the technology in the Eastern Han Dynasty was very developed, such as bronze gears, so I combined the human and animal forces at that time with the story background design of the overhead gods in the film, and I got mixed energy."

  Because the immortals can’t walk in the sky, there are all kinds of spaceships in the film, including Yang Jian’s boat, gourd fairy’s boat, four heavenly kings’ boat, government boats, freight boats and private boats of ordinary people. Master Gui revealed that Yang Jian’s boat mainly pursued speed, and was inspired by the military speedboat of the Han Dynasty. It was a very common and highly mobile assault clipper at that time. The small gourd fairy sold private medicine, and his boat was a scarab. In classical medical books, the scarab was blindly Chinese medicine.

  The biggest challenge is that it takes at least one month for one shot of a character in the flying dance.

  Three-dimensional rendered ink painting, as the most iconic visual effect in light-chasing works, has been shown differently in White Snake: The Origin and New Gods: Nezha Reborn’s White Snake 2: The Green Snake Robbery, and each work is constantly breaking through. This time, the Tai Chi map battle in New God List: Yang Jian, the ink texture is even more amazing to the audience.

  Producer Lu Xi introduced that the design and concept stage of Taiji diagram is the most difficult. "Because it is recorded in ancient books, it is only said that it is a super powerful magic weapon. In the film, the setting of Taiji diagram is not a specific scene, but an illusory space, in which it will hook up the demons of all the people who enter and drive people into a dreamland space; The design team has been grinding back and forth for more than half a year, and there are many completely different schemes. In order to highlight the oriental texture in CG shots, we abandoned several concepts with stronger three-dimensional structure, but adopted ink painting and two-dimensional style presentation. From design to final production, it took more than one year of production time. "

  It is a great challenge to present the ink effect by means of three-dimensional CG. Director Evonne revealed that team research and testing took nearly a year. "The difficulty lies in how to transition from the three-dimensional scene to the two-dimensional ink style of Taiji diagram. The plane paper and a three-dimensional bridge can’t be connected, so we made a big curl action on the three-dimensional bridge. In Taiji ink painting, there is another layer with the same texture as rice paper. Our approach is to add a layer of this kind of rice paper to the environmental layer, such as the ground stone, so that we can feel the texture of traditional ink painting from different angles. " Master Gui also said that the reason why the artistic style of Taiji diagram uses traditional ink painting sense is to pursue the sense of flow to qi.

  In addition to the Tai Chi Fighter, the flying dance of Luo Shenfu in the film is also highly praised by the audience: Yue Xian Square in Yingzhou, above the pavilion in Sendai, petals are flying, fairies are dancing in veils and jade beads are shaking. The flying beauty of "If you are amazed, just like Youlong", combined with the beautiful emotional singing of singer Rachel, has a stunning effect. The audience spoke highly of the play: "The beauty of Dunhuang frescoes flew out of the wall", "Flying Dance, Luoshen Fu, Dunhuang frescoes and other scenes interpreted the beauty of China traditional culture to the extreme".

  Evonne, the director, revealed that there was no such scene at first, but when collecting folk songs in Dunhuang, walking into the Mogao Grottoes was like entering another world. "I felt the imagination of ancient artists, so I was inspired. There were dances, music and musical instruments for the court banquet of ancient immortals. I decided to add this scene. Moreover, Wan Luo’s identity is set as a dancer. This poem "Luo Shen Fu" in the film is extracted from Cao Zhi’s "Luo Shen Fu", which expresses infinite sadness and disappointment, corresponding to Wan Luo’s thoughts about important people in the film. "

  The scene of flying dance was completed in the air. Evonne said that the technical difficulty of this scene lies in the dance itself. "We need to present the dance in a weightless state. We found a professional dancer to perform the Dunhuang dance, and let the dance team choreograph on the ground first, and present it in a three-dimensional space with moving capture technology, adding 360-degree spatial changes and camera movements, and then adjusting the movements and trying again; The dance teacher refers to the three-dimensional animation to adjust the movements, and we also spend a lot of energy communicating with the animators about the position and arrangement of the dance, and repeatedly modifying the running-in; Dancers don’t have weightless streamers when they jump, so they need to add streamers when they make them. They should consider how to match the role and conform to the scientific physical state. There is a ring that needs to deal with the streamers and hair of the characters, which is the most challenging part of the whole film. It takes at least one month for a character in a shot, which is 20-30 times the workload of ordinary shots. "

  The new dimension of the country, the audience and the market need to be slowly "cultivated"

  Although New Gods: Nezha Reborn, the first part of the New God List series, is based on The Romance of the Gods, it gives a new interpretation and interpretation of Nezha’s spiritual core from a cooler and younger perspective. It has opened a brand-new dimension of imagination for Guo Man, and made bold innovations in characterization, world outlook establishment and visual style.

  The same is true of the second film "The New God List: Yang Jian". Evonne believes that the biggest connection between the two films is that they are under the same world view system. In addition, both films have discussions on breaking fate. "But Li Yunxiang in New Gods: Nezha Reborn is hard and Yang Jian is more leisurely."

  The New List of Gods: Yang Jian has built an unprecedented mythical world, and Evonne thinks that the charm of animation lies in maximizing the imaginary world. In his view, there is no contradiction between tradition and innovation. The blood of China’s traditional culture has already melted into the bones of every Chinese, while innovation means telling stories with the voice of young people, creating stories with the latest technology and interpreting stories with modern ideas. Telling the old story of China from a younger perspective, giving new life to the tradition.

  On February 21st, 2021, when the film New Gods: Nezha Reborn was released, Zhao Ji, the director of the film, posted a long microblog, referring to an important colleague of the team of "The New God List: Yang Jian" who wrote a resignation email on the first day of his return from the Spring Festival holiday. "He is very important to Yang Jian. Before the Chinese New Year, he told me that he wanted to try another industry. I told him, let’s wait, Nezha sells well, and we can stick to it. Dreams can wait, but life can’t. Living with a dream may last for a year, two years and three years, but after all, I have no reason to persuade him to stay. "

  The animation industry in China needs the persistence of animators, and Lu Yi also believes that the audience and market of animated films need to be "cultivated" slowly. "Animated films are a very special artistic expression, which will show the culture intensively, and at the same time, animated films also have a relatively fixed audience. On the one hand, the creators are constantly putting their own ideas and expressions; On the other hand, after the animated film is released, the audience’s feedback will also feed back the creation. I think the audience and the creators are jointly exploring a unique animation art expression form in Chinese. "

  It is reported that the total amount of "New God List: Yang Jian" is 20% more than that of "White Snake 2: The Green Snake Robbed". The progress of Guoman in recent years is obvious to all. In Evonne’s view, the imagination of animated films is very large, and many things that are difficult to achieve in real movies can be created in an unconstrained way. He said that when he was growing up, he rarely saw domestic animated films in cinemas, so his ideal for entering this industry was "the direction of our efforts is to hope that the next generation can watch domestic animated films grow up".

  Text/Reporter Zhang Jia for the picture/small table

Democratic Party’s 4th general election debate: Biden bombarded Trump as "the most corrupt president in modern American history"

  [Global Network Reporter Li Dongyu] On the evening of October 15, local time, 12 Democratic candidates for the 2020 US presidential election gathered again to start the fourth debate. In the meantime, the recent situation in Syria has become an unavoidable topic, and the 76-year-old Democratic candidate and former US Vice President Biden used three "shameful" shelling Trump’s decision to withdraw troops (in northern Syria). In addition, he also launched a fierce attack on Trump, calling Trump "the most corrupt president in modern American history".

Debate site/map from Washington post

Debate site/map from Washington post

  According to a real-time report published on Twitter by alcindo, a White House reporter of the American Public Broadcasting Corporation (PBS) quoted by The Guardian, Biden commented on Trump’s decision to withdraw troops from northern Syria on the evening of 15th, "This is the most shameful thing that any (American) president has done in modern history … … Turkey is the real problem. "

Twitter screenshot

Twitter screenshot

  Biden went on to add that he (if elected) would protect Kurds. "What Trump has done is shameful and shameful."

  In addition, Biden also bombarded Trump as the "most corrupt president" in modern American history. "I agree with Senator bernie sanders (also a Democratic presidential candidate) that the president (Trump) is the most corrupt president in modern American history."

  During the debate, Biden’s Twitter also released a live video with an article: "Donald Trump is the most corrupt president in modern American history. He must be impeached. " ↓

Twitter screenshot

Twitter screenshot

  By the 16th, Turkey’s military operation against Kurdish armed forces in northern Syria had entered the eighth day. Although Trump announced a number of severe sanctions against Turkey, the House of Representatives controlled by Democrats is still putting pressure on Trump.

  On the eve of Turkey’s earlier military operations, the US White House said on the 6th that the US military "does not support or participate" in Turkey’s upcoming military operations in northern Syria, and the US military will withdraw from the relevant areas. US Defense Secretary Mark Esper said on the 13th that Trump ordered the US troops stationed in northern Syria to move south, but would not withdraw from the Middle East country.

Intelligent anthropomorphic driving, Avita 11 shows extraordinary intelligent driving pleasure

On November 14th, Avita Technology joined hands with strategic partner Huawei to jointly create Avita’s "Smart Driving Experience Day", which became one of the largest and richest high-level smart driving activities in the industry this year. Through this event, Avita 11 for the first time demonstrated the strength of ceiling-level hardcore products such as high-speed NCA smart driving navigation assistance, urban ICA smart cruise assistance, and APA smart parking assistance.

Tan Benhong, Chairperson and CEO of Avita Technology. Photo courtesy of Avita Technology, published by Hualong.com
Tan Benhong, Chairperson and CEO of Avita Technology. Photo courtesy of Avita Technology, published by Hualong.com

Tan Benhong, chairperson and CEO of Avita Technology, said, How to make intelligent driving meet user requests? Based on the understanding of users, Avita and Huawei have worked together to develop products from the product definition stage, and both parties have invested the leading resources in their respective fields to the greatest extent to achieve 1 + 1 > 2. We firmly believe that whether it is appearance, comprehensive performance, or intelligent driving ability, Avita 11 is the top of the industry’s first echelon.

Wang Jun, chief operating officer of Huawei Smart Car Solutions BU and president of Intelligent Driving Solutions Product Line. Photo courtesy of Avita Technology, published by Hualong.com
Wang Jun, chief operating officer of Huawei Smart Car Solutions BU and president of Intelligent Driving Solutions Product Line. Photo courtesy of Avita Technology, published by Hualong.com

As one of the first lock single owners, Wang Jun, chief operating officer of Huawei Smart Car Solutions BU and president of Intelligent Driving Solutions Product Line, said on the spot, I often drive Avita 11, high-speed, urban, and parking continuous experience, and various scene processing is very smooth. Huawei and Avita have deeply cooperated to deeply integrate mechanical systems such as steering and braking with intelligent driving assistance systems to achieve the best experience. The intelligent driving that Avita 11 is about to deliver is the highest level we can do now. Of course, next year will be better, because this system will continue to evolve. The more you drive, the more you understand, and the smarter you drive.

Personalized driving makes high-speed travel more comfortable

The 360-degree full coverage fusion perception ability brought by the AVATRUST super-sensing system and the efficient computing power and anthropomorphic algorithm brought by the AVATRUTH supercomputing system make the AVATRANS intelligent navigation system of Avita 11 fully display its "intelligent" strength in an open road environment.

Avita 11 high-speed NCA intelligent navigation assistance. Photo provided by Avita Technology, published by Hualong.com
Avita 11 high-speed NCA intelligent navigation assistance. Photo provided by Avita Technology, published by Hualong.com

The activation of the high-speed NCA intelligent navigation assistance is very convenient. When the conditions are met, you can enter the smart driving state by flipping the hold block twice in a row. At present, the high-speed NCA intelligent driving navigation assistance has covered more than 200,000 kilometers of expressways and urban expressways in China. On the premise of ensuring driving safety, Avita 11 with a global vision can actively choose a lane with higher traffic efficiency. Near the ramp, you can also change to the exit lane in advance according to the road condition information ahead and the intelligent prediction of traffic flow, to avoid the embarrassment of "missing the exit and driving the wrong way" in unfamiliar environments.

Avita 11. Photo provided by Avita Technology, issued by Hualong Network
Avita 11. Photo provided by Avita Technology, issued by Hualong Network

Jacking or being jammed is a high-frequency scene in daily driving. With the help of full fusion perception ability, Avita 11 can accurately judge the jamming intention of his car, and with the anthropomorphic jamming game ability, he can independently choose to speed up or slow down to give way. When the speed of the forward vehicle is too slow, Avita 11 can quickly complete the acceleration lane change; when encountering the rear car during the autonomous lane change process, Avita 11 can also quickly turn off the lights and slow down to stop the lane change, and continue to perform the lane change after the rear vehicle passes, thus bringing a more peaceful and calm smart driving experience.

In the process of traffic congestion following and ramp inbound and outbound, Avita 11 can monitor and predict the behavior of surrounding vehicles in real time, and combine deep learning algorithms to execute the best interaction strategy to make the vehicle have efficient traffic capacity. At the same time, when passing some large curvature ramp, Avita 11 can also smoothly complete the entry and exit, and the steering wheel turns silky, without frequent back and forth corrections. It is worth mentioning that every active deceleration of Avita 11 is smooth enough to maintain a smooth and comfortable sense of stability, providing passengers with a smooth and smooth ride experience like a courtesy car.

"Eye View Six Roads" Super perception, safer urban complex road conditions

Entering urban roads, the complexity of road conditions has skyrocketed, and accidents, construction and other working conditions have occurred frequently, which is the most test of a car’s intelligent driving strength. Avita 11 is equipped with urban ICA intelligent cruise assistance, and has the ability to perceive and respond to crises that are "invisible to the human eye and unknown to the human mind". It can easily resolve various hidden dangers such as accidents, water horses, construction pile and barrel guidance lines, and provide users with safety protection.

Avita 11. Photo provided by Avita Technology, issued by Hualong Network
Avita 11. Photo provided by Avita Technology, issued by Hualong Network

The accident rollover vehicle located at the entrance of the tunnel often causes temporary visual impairment due to the contrast between light and dark, and the intelligent driver is also unable to identify due to the "special shape", which brings safety hazards. The super full fusion perception ability of Avita 11 not only is not affected by light conditions and bad weather, but also can identify the special-shaped vehicle in advance, issue a timely warning, and take very linear braking measures, which not only prevents accidents but also ensures the comfort of the ride.

Avita 11 can easily identify the piles and buckets used to guide lane line changes. Photo courtesy of Avita Technology, published by Hualong.com
Avita 11 can easily identify the piles and buckets used to guide lane line changes. Photo courtesy of Avita Technology, published by Hualong.com

When passing through the construction section, Avita 11 in the open state of the smart driver can easily identify the pile bucket used to guide the lane line change, anticipate the speed reduction in advance and automatically turn on the lights to change lanes. In the scenario of water horses encroaching on the lane, the system will evaluate the traffic capacity of the lane, and after confirming that the lane still has the capacity of the vehicle, it will slightly slow down and bypass the water horse to improve the continuity and safety of intelligent driving.

Overcome "intractable diseases" and park with more peace of mind

Compared with the traditional "blind man touching the elephant" solution, the fully integrated sensory parking solution adopted by Avita 11 breaks the isolation between the driving and parking systems, and applies the sensing capabilities of the AVATRUST super-sensing system and the powerful computing power of the AVATRUTH supercomputer system to the parking scene. Therefore, the APA intelligent parking assistance on Avita 11 can identify all the parking spaces seen by the human eye in all directions, completely solving the pain points of "not parking, not being placed correctly, taking a long time, and being easy to scratch", bringing users a more reassuring and pleasant intelligent parking experience.

Avita 11 Intelligent Parking Assist. Photo provided by Avita Technology, issued by Hualong Network
 Avita 11 Intelligent Parking Assist. Photo provided by Avita Technology, issued by Hualong Network

Traveling between alleys or alleys, you often encounter tricky "severed road" reverse inclined train positions. Faced with this intimidating scene for novice drivers, Avita 11 can use its powerful 360-degree perception ability to find the rear space by itself, and use its powerful computing power and cloud-empowered path planning experience to autonomously reconstruct the scene, plan the route, and make a U-turn, so as to complete the warehousing action in reverse at the back of the car.

Avita 11 ramp parking. Photo provided by Avita Technology, issued by Hualong Network
Avita 11 ramp parking. Photo provided by Avita Technology, issued by Hualong Network

As one of the common parking scenarios, ramp parking poses a high test for the accuracy of vehicle longitudinal and lateral control. For this scenario, Avita 11 can carefully adjust the steering, power and braking based on human factors engineering theory to compensate for the impact of slope, and precisely control the position and route of the vehicle. Parking is smooth and silky throughout, just like flat ground performance.

Parking process may encounter pedestrians, non-motor vehicles from the rear of the car suddenly across the situation, in this regard, Avita 11 can rely on 34 intelligent driving sensors empowered by long-range perception and target trajectory prediction ability based on AI enhanced learning, accurate tracking of dynamic targets, anticipate target movement, timely stop action, to be moved to a safe distance after the target to automatically resume the parking process, to achieve real one-click peace of mind into the position.

Emotional smart cabin space, smart cars are more comfortable

At the event site, Avita 11 further demonstrated the unique charm of the emotional intelligent cockpit developed based on HarmonyOS. The floating central control screen interface adopts the HarmonyOS car-machine interaction design language, allowing the services and information used in the car to achieve zero-level interaction "visible on the first screen"; the screen edge swipe can be easily retracted, and the two-finger swipe can easily rotate the window position and other operations are consistent with the mobile phone, which greatly reduces the user’s learning cost.

Avita 11 emotional intelligence cockpit. Photo provided by Avita Technology, sent by Hualong Network

Thanks to the colorful Huawei app store, Avita 11 can be adapted to Autonavi Map, Himalayas, NetEase Cloud Music, Kugou Music, Migu Music, Bilibili, Sohu Video, Youku Video, WeSing, WPS and other head APPs, bringing users a colorful car experience with the often new cockpit ecology. Avita 11 is also intimately equipped with a 10.25-inch high definition full LCD screen for the co-pilot, which is based on the organic linkage of one-core multi-screen capability and cockpit smart interconnection screen to bring users a multi-person shared intelligent entertainment driving experience.

Avita 11 emotional intelligence cockpit. Photo provided by Avita Technology, sent by Hualong Network

Based on HarmonyOS voice capabilities, Avita 11 has created a full-interface voice control system that can be seen and spoken. At the interface of car control, music video, navigation and other three-party applications, users can directly speak text according to the interface information without manual clicking. The intelligent voice assistant can support 4-partition sound source positioning, continuous instructions, fuzzy semantic instructions, custom Keyword Spotting and other functions, making "Xiaota" more intelligent and loving for users.

In addition, Avita 11 is intimately equipped with six smart scenario modes, one-click linkage of ambient lights, music, fragrance, HALO screen and other hardware, and interacts with a real and interesting scene-based interface to bring a full range of intelligent atmosphere experience. Take the unique pet mode as an example. After turning on this function, the car machine can turn on the air conditioner and adjust it to a suitable temperature. At the same time, the car machine screen will enter the care reminder state to avoid misunderstandings by passers-by outside the car. And if the user accidentally leaves the pet in the car when getting off the car, Avita 11’s departure cockpit perception function can send a reminder to the user in time through the APP, giving the "shit shoveling officer" peace of mind and protecting the safety of small lives.

Car review

As the first model fully equipped with HI (Huawei Inside) Huawei’s full-stack smart car solution, Avita 11 demonstrates the results of complementary advantages and deep binding between Avita and Huawei in multiple fields, allowing intelligence to truly realize the value of providing users with a safe and comfortable driving experience. In the future, Avita Technology will continue to be committed to exploring future-oriented humanized travel technology to create a better emotional intelligent travel experience for users.

How to play football

How to play football is something that beginners want to study hard. If you want to play football well, you should mainly practice hard. Only by persistence can you play football more professionally. However, before playing football, you need to exercise first, including running and walking, and then learn the essentials of football. You can really learn to play football according to the rules, but there are many rules of playing football, so just remember the essentials.

Playing football is a good exercise. Before playing football, you should exercise well and prepare clothes and shoes for playing football. Appropriate clothes and shoes are essential equipment. If you don’t wear them properly, you will be more likely to get injured. We are all ready. Let’s briefly introduce the essentials and contact methods of playing football, hoping to help you play football.

Top ball refers to the technical action that the athlete touches the ball continuously with all effective parts of his body and controls it so that the ball does not land as much as possible. Topping the ball is a kind of practice means for athletes to be familiar with the ball, so as to enhance the elasticity of the ball. Weight, spin and touch the ball, the feeling of hard and light collar when hitting the ball.

Technical action essentials

1. Foot-to-toe ball: the foot swings forward and upward, and hits the ball with the instep. When hitting the ball, the ankle joint is fixed and the lower part of the ball is hit. Two feet can hit the ball alternately, or one foot can support and the other foot can hit the ball continuously. When hitting the ball evenly, keep the ball around your body all the time.

2. Inside and outside of both feet: lift your legs and bend your knees, swing up with the inside or outside of your feet, and hit the ball at the lower part of the ball alternately with the inside or outside of your feet.

3。 Hip ball: lift your legs and bend your knees, and hit the lower part of the ball upward with the middle and front part of the thigh. Both legs can alternately hit the ball, or you can support it with one foot and hit the ball continuously with the thigh on the other side.

4. Head ball: the feet are open, the knees are slightly flexed, and the lower part of the ball is continuously topped with the forehead. When heading the ball, keep your eyes on the ball and your arms open naturally to maintain your balance.

5. Continuous dribbling of each part: According to the above-mentioned single-dribbling technique, it is more difficult to match each part with continuous dribbling. The parts of the ball are instep, medial foot, lateral foot, thigh, head, chest, shoulders and so on.

Easy to make mistakes

L. when the foot hits the ball, the ankle joint is slack, resulting in unstable exertion.

2. When hitting the ball, the toes hook down or up, causing the ball to touch the body forward or backward after being stressed, making it difficult to control the ball.

3. Other parts of the body are not relaxed enough when bouncing the ball, so that the movements are stiff.

4. When the head bounces the ball, the leg, body and neck are not coordinated, only relying on the neck.

Example of practice method

1. One person, one ball: experience the time, position, power and coordination of the whole action of touching the ball.

2. Two people with one ball: touch the ball with the instep, thighs, head and all parts of the body, master the power of touching the ball and try not to let the ball fall to the ground. Everyone can touch the ball once and bounce it to the other side, or touch the ball many times and bounce each other.

3. A group of four or five people, with two balls in the circle: you can specify the number and position of each person touching the ball, and you can also freely master the number and position of touching the ball. Pay attention to the observation when bouncing the ball to prevent two balls from bouncing to the same partner at the same time.

Everyone knows how to play football, but remember to pay attention to safety. There are many people who play football, and they are very tired when running. It is easy to get injured. If you are injured, you should seek medical attention in time. You must not continue playing football until the injury has fully recovered. After all, the premise of exercise is to be healthy.

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