月度归档： 2025 年 5 月

Supreme inspection： zero tolerance for criminal acts of using the internet to infringe on minors

CCTV News:On October 27th, the State Council Press Office held a routine briefing on the State Council policy, introducing the regulations on the protection of minors’ network. Chen Jie, director of the Ninth Public Prosecutor’s Office of the Supreme People’s Procuratorate, introduced at the meeting that procuratorial organs are the legal supervision organs of the country, and we have always attached great importance to the network protection of minors. We actively participate in the whole process of judicial protection, and comprehensively use the "four procuratorial" functions of criminal, civil, administrative and public interest litigation to safeguard the legitimate rights and interests of minors, and at the same time promote the network protection and governance of minors according to law. Based on its functions, the procuratorial organs have taken the following main measures to safeguard the legitimate rights and interests of minors.

First, maintain a "zero tolerance" attitude and resolutely crack down on illegal and criminal activities according to law. From January 2020 to September this year, procuratorial organs prosecuted 11,600 adults for allegedly using telecommunication networks to infringe on minors. In view of the problem of threatening girls to take nude photos by online chatting, the Supreme People’s Procuratorate issued guiding cases and established the principle of prosecution that indecent acts without physical contact are equivalent to offline crimes. At present, more than 3,000 people have been prosecuted.

The second is to strengthen litigation supervision and safeguard judicial justice. Through self-supplementary investigation, timely sending personnel to intervene in the investigation activities of major difficult and complicated cases, we dig deep and carefully investigate and forcefully accuse crimes. We have actively played the role of investigation, supervision and cooperation. Since 2022, 302 people have been corrected for crimes involving minors using telecommunication networks.

Third, pay attention to multiple measures and deepen comprehensive protection. Carry out multi-dimensional comprehensive rescue work for minors who have been infringed by the internet; For minors whose civil rights and interests have been damaged by the internet, the procuratorial organs support the prosecution according to law; Bring a public interest lawsuit against the infringement of the network rights and interests of the unspecified majority of minors. In the past three years, procuratorial organs have filed 524 public interest litigation cases involving minors’ online rights and personal information.

The fourth is to improve the system and mechanism to achieve both punishment and prevention. The Supreme People’s Procuratorate has specially formulated the Provisions of the People’s Procuratorate on Handling Cybercrime Cases, and worked with relevant departments to improve the handling norms and form a joint effort to crack down on the use of juvenile cybercrime. At the same time, the procuratorial organs carry out publicity and education on the rule of law through various forms such as "the rule of law enters the campus" and case interpretation, with the aim of guiding minors away from network crimes.

The fifth is to strengthen the coordination of departments and promote the governance of litigation sources. In view of the phenomenon of infringing on the physical and mental health of minors through the internet, the Supreme People’s Procuratorate issued the "No.6 Procuratorial Proposal" to urge relevant departments to promote comprehensive management. At the same time, we also focus on the development of new network formats, and urge relevant departments to introduce relevant work norms, such as explicitly prohibiting e-sports hotels from receiving minors in violation of regulations. Through procuratorial suggestions, public interest litigation, information exchange and communication, local procuratorial organs cooperated with relevant departments to carry out various forms such as "breaking cards" and "clearing the net" to promote the solution of outstanding problems such as minors indulging in online games and being infringed by bad information.

In the next step, the procuratorial organs will also take the opportunity of implementing the Regulations on the Protection of Minors’ Network to further strengthen the procuratorial and judicial protection, and join hands with the departments of network information, education, judicial administration and the Communist Youth League to jointly create a clear and safe network environment for our minors.

Spring Festival travel rush Decoding： It is necessary to know the list of prohibited items for safe travel.

　　Cctv newsWhen traveling by train or plane, passengers are often found to have brought some prohibited items by mistake. Let’s take a look at what we can’t take when traveling by public transport.

　　Do you know what you can’t take with you by train or plane? The problem seems simple, and many cases are seized every year.

　　This is the data obtained from Beijing West Railway Station, shanghai hongqiao railway station and Guangzhou South Railway Station respectively. In 2020, these three railway stations seized hundreds of thousands of contraband items respectively.

　　Among them, Guangzhou South Railway Station, with the largest passenger traffic, has more than 800,000 pieces. According to the calculation of sending more than 60 million passengers last year, about one passenger in every 70 people is found to be carrying prohibited items, which are potential risks.

　　Among the contraband items seized, which ones are relatively large?

　　

　　As you can see, "lighters" frequently appear on this list. Many people know that lighters are not allowed to be carried by plane, but they can be carried by train. However, it should be noted that the railway department stipulates that each person should carry at most two lighters to remind you not to exceed the quantity.

　　Another thing that is often taken by mistake is spray, such as styling spray and sunscreen spray. What everyone needs to pay attention to is whether there is a sign of a small flame on the bottle. If there is, it is flammable and explosive, and it is not allowed to be carried on trains or planes. If there is no small flame logo, you can carry it in limited quantities.

　　Another thing to pay attention to is fruit knives, blades and knives. According to the regulations, these sharp weapons that may endanger the personal safety of others are forbidden to be brought into the station.

　　At present, during the epidemic prevention period, there are also misunderstandings about whether epidemic prevention materials can be carried.

　　For example, alcohol, many passengers want to use alcohol to disinfect, but according to the regulations, alcohol is flammable and explosive dangerous goods, and it is strictly forbidden to carry it by car. Passengers pour into the sub-packaging bottles, and alcohol and disinfectant with unrecognizable ingredients cannot be brought into the car. Only packaged and sealed disinfectant wipes and cotton sheets are allowed to be taken on the train.

　　Remind passengers on the plane that some epidemic prevention items can’t be carried with them.

　　Protective equipment, such as masks, goggles and ordinary protective clothing, can be taken on the plane; Most disinfectants can’t be carried with you. If necessary, disinfectants with alcohol content less than 70% can be checked in. Another thing to say is thermometers. Electronic thermometers can be carried with you, but mercury thermometers can only be checked.

　　Finally, passengers are reminded that there may be subtle differences in the regulations on contraband in different railway stations and airports. Passengers can make detailed inquiries before departure, and their accompanying articles should be carefully checked to avoid inconvenience to travel.

Sharing fashion opinions at Milan Fashion Week in Hu Bing continues to be a bridge between Chinese and Western fashion exchanges.

Just after London Fashion Week ended a few days ago, Hu Bing rushed to Milan Fashion Week non-stop. Known as one of the most prestigious and influential fashion events in the world, Milan Fashion Week focuses on the sustainable designer project "Designers for the planet" this season, focusing on the sustainable concept of creativity and production process, which defines a longer-term development for fashion. As a fashion instructor, Hu Bing also shared his insights on fashion consumption with the guests in Fashion Hub, and spared no effort to show the world the potential of China’s consumer market.

Fashion pioneer Hu Bing incarnates as a fashion instructor, gaining insight into the market and sharing opinions.

At Milan Fashion Week, Hu Bing discussed this season’s sustainable designer project "Designers for the planet" with Chairman CNMI, Head of Sustainable and Social Responsibility of Tod’s Group, Chief Marketing and Group Strategy Officer of Moncler, Head of Creative Talent Introduction Project of OTB Group, Senior Director of Talent Introduction of Versace and Vice President of Human Resources of Versace Europe, Middle East and Africa. When attending Milan Fashion Week, Hu Bing was more of a fashion pioneer and mentor. He generously shared his 30-year-old experience in fashion-related work and the secret of staying young despite being 53 years old. "I think the most important keywords are: dedication, respect and the degree of hard work". In addition, he also shared his market insights on fashion consumption, and aesthetic comprehension, a consumer in China, made it clear that he would continue to support young designers and jointly explore the development of circular economy in the fashion field.

Hu Bing, a warm-hearted mentor who has become a "protective umbrella" for young designers, encourages young people.

As the first supermodel in China, Hu Bing has worked in the fashion industry for more than 30 years so far. From a freshman in the industry to a fashion instructor today, the change of identity also means a greater responsibility on her shoulders. In his speech on the sustainable designer project of Milan Fashion Week, Hu Bing mentioned the realistic dilemma faced by young designers and also hit the nail on the head to remind them of the cruel market situation. "At this time, I always feel a little unbearable, like a balloon bursting my dream, but I still have to do it." As a fashion instructor, he is strict and warm to young designers, hoping that they will have higher requirements for their works, but also hope that they will not be easily defeated by reality. As a mentor, my responsibility is to help them realize their dreams and support them. "I hope to be an umbrella for young designers and help them to give full play to their creativity.

In the next Milan Fashion Week, Hu Bing will continue to play the role of China’s overseas fashion mentor, and at the same time, she will not forget her responsibilities, and promote the communication between China and the world in the fashion field, so that young designers from China and the West can learn from each other and grow together in her own way.

Reunion Year ｜ Celebrating the New Year with gongs and drums, dancing and celebrating the Chinese New Year.

Where spring comes early, spring comes alive in the drum.

In the history of Chinese civilization, drum is an important ritual instrument for offering sacrifices and welcoming the New Year. The drum sound is regarded as the sound from the earth, which can germinate plants and animals. During the Spring Festival, people beat drums, symbolizing the hope for a bumper harvest and a beautiful new year.

Drums are often accompanied by dancing. People in the north and south of the great river dance and sway with the sound of drums, celebrating the New Year with their own traditional customs, and expressing the heartfelt wishes of Chinese children for good luck, peace and smoothness in life.

On the eve of the Spring Festival in 2014, the General Secretary of the Supreme Leader came to the Inner Mongolia prairie wrapped in silver, participated in Nadam in winter with herdsmen dressed in festive costumes, and enjoyed the Mongolian dance with dynamic, lively rhythm and rich grassland customs in the ice and snow.

The flourishing dance, bright national costume and melodious long tune are not only the unique way for Mongolian people to welcome the Spring Festival, but also an important carrier to express their vigorous and uplifting spirits and passionate feelings. This is in line with the general secretary’s exhortation to "persevere" and "work hard" at the ceremony of "Blessing Five Animals".

Beat drums to say goodbye to the new year and dance to welcome the new year. The inspiring culture of China’s ethnic minorities not only inspires people, but also shows the indomitable and pioneering spirit of our ethnic compatriots.

In the Wa village in Yunnan Province, which has a history of more than 500 years, the general secretary watched the villagers dance happily and sounded three Wa wooden drums according to local customs, wishing the coming year a good weather, peace and prosperity. In Huawu Village, Miao Township, Guizhou Province, which is known as the "hometown of folk culture and art in China", the general secretary came to the villagers and applauded the Miao villagers who advocated sheng and sang and danced … …

Drumming and dancing again and again, not only entrusted the general secretary with his deep blessing to the compatriots of ethnic minorities, but also expressed the feelings of the sons and daughters of all ethnic groups of the Chinese nation to share weal and woe.

The picture shows the lion dance performance at the ancestral temple in Foshan City, Guangdong Province.

The picture shows the lion dance performance at the ancestral temple in Foshan City, Guangdong Province.

The dragon is the totem of the Chinese nation, and the lion is the statue of all animals. Both of them are symbols of vigor, fearlessness and fearlessness in Chinese culture.

In China, the embryonic form of dragon dance can be traced back to the sacrificial ceremony in ancient times. According to legend, the custom of lion dance was formed in the Northern Wei Dynasty, and it has a history of 1,500 years.

In the Spring Festival and other festivals, the lively dragon and lion dance performances not only create a festive and warm festive atmosphere, but also place people’s good hopes for a safe and smooth life and good luck.

Before the Spring Festival, he went to the local area to visit and express condolences to the grassroots. The General Secretary of the Supreme Leader has watched the dragon and lion dance performances with the masses many times and felt the rich and authentic flavor of the year together.

On February 3, 2016, on the eve of the Spring Festival of the Year of the Monkey, the General Secretary visited Jiangxi. When they arrived at Guangming Community, Pengjiaqiao Street, donghu district, Nanchang City, the lion dance team and lantern festival team formed by residents were rehearsing. The general secretary was deeply gratified by the happy and perfect scene. He said happily, "I hope our people will have a happy, peaceful and beautiful Spring Festival."

The Year of the Loong’s dragon dance is "the meaning in the title", which is expected. On February 1, 2024, before the Spring Festival in the Year of the Loong, the General Secretary came to Tianjin, the hometown of Quyi. In the ancient cultural street, which embodies the folk customs and history of Tianjin, the general secretary, together with citizens and tourists, immersed himself in the lively and festive atmosphere of the old street, and watched the dragon and lion dance performances with drum music, and "felt the strong flavor of the year" … …

On January 19th, 2020, General Secretary of the Supreme Leader sounded three Wa wooden drums on the Wa Village Square in three village Zhongzhai Simola, Qingshui Township, Tengchong City, Yunnan Province, wishing the coming year good weather, prosperity and national security.

On January 19th, 2020, General Secretary of the Supreme Leader sounded three Wa wooden drums on the Wa Village Square in three village Zhongzhai Simola, Qingshui Township, Tengchong City, Yunnan Province, wishing the coming year good weather, prosperity and national security.

At the end of 2024, "Spring Festival — — Social Practice of Celebrating the Traditional New Year in Chinese "is listed in UNESCO’s representative list of intangible cultural heritage of mankind. A series of traditional customs, such as dragon dance, lion dance and social fire, are its important components.

These customs not only bear the Chinese nation’s eager hope for a happy life, but also show rich and profound humanistic feelings, which together constitute a unique cultural spectacle of the Spring Festival.

"Carefully protect the cultural heritage left by our ancestors" and "Let the excellent Chinese traditional culture live on forever" … … The general secretary’s thinking on culture is profound and long-term.

Progress of National Cultural Heritage Administration’s ＂Archaeological China＂ Major Project： The Latest Achievements of Yin Ruins Archaeology and Oracle Bone Inscriptions Research Released

　　Today (November 10th) morning, National Cultural Heritage Administration held a press conference on the progress of the major project "Archaeological China" in Beijing, and reported the latest achievements and progress in the archaeology of Yin Ruins and the study of Oracle Bone Inscriptions.

　　I. Archaeological Discovery and Research of Yin Ruins

　　Yin Ruins, located in Anyang City, Henan Province, are the ruins of the capital in the late Shang Dynasty. Since 1928, archaeologists in China have begun to carry out scientific archaeological excavations of Yin Ruins, which has opened the curtain of modern archaeology in China. Up to now, more than 90 years have passed, and important relics such as the palace area, residence area, tomb area, handicraft workshop area of Yin Ruins have been discovered one after another, as well as the neighboring Huanbei Mall, the capital of the middle Shang Dynasty, and a large number of precious cultural relics such as Oracle Bone Inscriptions, bronzes, pottery and jade wares have been unearthed. The distribution and structural layout of Yin Ruins were basically cleared up, and the chronological system of Yin Ruins culture was established, which provided a basis for exploring the archaeological culture of the early Shang Dynasty and even the Xia Dynasty. The research on the capital system, tomb system, sacrifice system, handicraft production system, architecture, water conservancy, spiritual belief and other aspects of the Shang Dynasty continued to deepen, demonstrating the history of the Shang Dynasty recorded in the literature and systematically showing the social and cultural features and the development achievements of the Shang Dynasty civilization. In 2006, Yin Ruins was listed in the World Heritage List, and its outstanding universal value was generally recognized by the international community, which provided a strong support for enhancing national self-confidence.

　　The archaeology of Yin Ruins has entered a new era and stage. Under the guidance of the concept of settlement archaeology, it has deepened the multidisciplinary and interdisciplinary cooperative research and made new breakthroughs. A large number of relics of copper casting, bone making, pottery making, living and living, and well-distributed cemeteries were found in the workshop area of Huanbei handicraft industry, which revealed the layout mode of "residence and burial in one" integrating production, life and funeral, and vividly displayed the production picture of handicraft industry in Shang Dynasty. Large ponds, waterways and related architectural relics have been newly discovered in the ancestral temple area of Xiaotun Palace, covering an area of more than 60,000 square meters. The ponds are connected with Huan River through waterways, which has changed the previous understanding of the overall pattern of the ancestral temple area of Yinxu Palace. Based on the exploration and excavation around the tomb area of Yin Ruins, it is confirmed that the eastern part and the western part of the tomb area are surrounded by a trench with a width of more than 10 meters, and the tomb and a large number of sacrificial pits are located in the trench. The discovery of the trench breaks through the understanding of the layout of the tomb area of Yin Ruins and is a major progress in the study of the cemetery system in Shang Dynasty. The road system inside the Yin Ruins has been continuously revealed. Two north-south roads leading directly to the palace area were found about 1km south of the ancestral temple area of the Yin Ruins, and a large road with a width of 15m was excavated on the north bank of Huanhe River. There were clear rutting marks on the roads, and residential areas, tombs, handicraft workshops and so on were densely distributed on both sides of the roads. The framework system revealed by the roads provided important clues for further exploring the urban layout and ethnic distribution of the Yin Ruins. Under the guidance of new ideas and methods, the archaeological research of Yin Ruins will gradually restore a more comprehensive, real and vivid Shang civilization.

　　Second, the new archaeological discoveries of settlements around Yin Ruins

　　Henan Province and Anyang City have implemented the policy of "archaeology first, then transferring" and actively strengthened the archaeological and cultural relics protection work in urban capital construction, and achieved many important achievements in the archaeological work of capital construction around Yin Ruins, greatly expanding the breadth and depth of archaeological research in Yin Ruins.

　　Xindian site, located about 10 kilometers north of Yinxu Palace, is a bronze casting site. Seven bronze casting workshops, more than 10 houses and nearly 100 tombs have been found in the late Shang Dynasty, and about 40,000 pieces of pottery models, pottery molds and a large number of tools for making models and casting copper have been unearthed. The unearthed bronzes bear the inscription "Ge", indicating that the site may be a bronze casting site managed by the "Ge" clan.

　　Taojiaying site is located about 7.2km north of Yinxu Palace. It is a moat settlement in the middle of Shang Dynasty. Pottery production area, residence area and tomb area were found in the site, and rich bronzes, jade articles and pottery were unearthed in 25 tombs, which further enriched the social research content of settlements around Huanbei Mall in the middle of Shang Dynasty.

　　Shaojiapeng site, located about 2.5km south of the palace area of Yin Ruins, is a settlement in the late Shang Dynasty. Three groups of multi-entry courtyards consisting of 18 houses and a graveyard consisting of a Chinese-shaped tomb, 23 small and medium-sized tombs and 4 chariots and horses pits were found in the site. Many bronzes with the inscription "Book" were unearthed in the tombs, indicating that Shaojiapeng site may be the "Book" of historians in the late Shang Dynasty.

　　Third, Oracle Bone Inscriptions’s discovery and research

　　Oracle Bone Inscriptions is the representative of the early mature Chinese character system, and it is also the demonstration of Yin Ruins as the capital of Shang Dynasty. Oracle Bone Inscriptions was unearthed in Xiaotun Village, Anyang, Henan Province in the late Qing Dynasty. Up to now, about 150,000 pieces have been discovered, and more than 35,000 pieces have been scientifically excavated. The number of words has exceeded 4,000, covering all aspects of politics and life in Shang Dynasty, and it is the direct historical data for rebuilding the history of Yin and Shang Dynasties. There are three important discoveries of Oracle bones in Yin Ruins, namely, the largest number of intact pit YH127 in Xiaotun, the Oracle bones in the south of Xiaotun with a clear date, and the Oracle bones in the east of Garden Village in Yin Ruins with unique historical value. Oracle bones in Yin Ruins directly confirmed the existence of Shang Dynasty in ancient historical records, and Xiaotun in Anyang was Wang Ting of Yin Shang Dynasty, which advanced the upper limit of China’s trust history by more than 1000 years, opened the archaeological and historical research course of Yin Ruins for more than 90 years, and promoted the innovation and development of China’s traditional philology.

　　More than 120 years’ research on Oracle Bone Inscriptions has yielded fruitful results in Oracle Bone Inscriptions’s data collation, chronology by stages, textual research, business history research, compilation and publication of reference books, and personnel training. Based on the profound academic accumulation of more than a hundred years, the study of Oracle bones in the new era pays more attention to the combination with archaeological theories and methods and multi-disciplines, and has made important achievements in promoting the study of ideological history, astronomical calendar and historical geography, and solved the problem of digital divination, which is of breakthrough significance and value to the study of China’s traditional philosophy and ideological history. By reading the data of solar and lunar eclipses recorded by Oracle Bone Inscriptions and combining with astronomical deduction, the solar eclipse occurred on October 31, 1161 BC, which proved that Yin people had mastered the eclipse cycle, which was of great significance to the study of Oracle Bone Inscriptions dating and even the movement of the earth and the sun. Combined with Oracle Bone Inscriptions’s Oracle inscriptions and the inscriptions unearthed from the Shi family cemetery in Shangzhou, Tengzhou, Shandong Province, the landscape of Xue Guo in Shang Dynasty was determined, which provided a new fulcrum for the study of historical geography in Shang Dynasty. The study of Oracle Bone Inscriptions has developed into an international academic topic, with scholars participating in the study all over the world and numerous works, which have played an important role in promoting the spread of Chinese culture and promoting the exchange and mutual learning of civilizations.

　　(CCTV reporter Tian Yunhua Ren Meimei Zhang Leilei Guo Min)

One-week exhibition guide ｜ Shanghai Bo answers ＂Why China＂, and there is a self-portrait of Van Gogh in Scotland.

In the midsummer, the new exhibition "Zhai Zi China" of Shanghai Museum, which was officially exhibited today, brought the audience to the Central Plains of Xia, Shang and Zhou Dynasties to explore the spirit and charm of the magnificent civilization in the pre-Qin period; "Tarrasa: Marine Civilization and Greek Art" makes people feel the wind blowing by the Aegean Sea. China National Museum "Oriental Lucky Gold" focuses on the historical culture, etiquette civilization, science and technology and artistic achievements of China, South Korea and Japan with ancient bronzes.

Overseas, the self-portrait discovered not long ago after Van Gogh’s "The Head of a Peasant Woman" was exhibited for the first time in the exhibition "Taste Impressionism: Modern French Art from millet to Matisse" at the Scottish National Gallery.

"The Paper Art Review" specially sorts out the exhibitions worth watching for a week, in order to provide dinner for readers.

Shanghai

House China —— Exhibition of Three Generations of Civilization in Xia, Shang and Zhou Dynasties in Henan Province

Venue: Shanghai Museum

Exhibition period: July 30-October 23, 2022

This exhibition is the first special exhibition of Shanghai Museum’s "Why China" cultural relics and archaeology exhibition series. Through more than 200 pieces (sets) of precious cultural relics from Xia, Shang and Zhou Dynasties, it leads the audience to trace back to the Central Plains in Xia, Shang and Zhou Dynasties and explore the magnificent spirit and charm of the pre-Qin period. The exhibition name "Zhai Zi China" comes from the inscription of He Zun, a bronze ware in the early Western Zhou Dynasty, and it is also the origin of the earliest known word "China".

Tarrasa: Marine Civilization and Greek Art

Venue: Shanghai Museum

Exhibition period: July 19-October 9, 2022

"Tarrasa" is taken from Thalassa, the goddess of the sea in ancient Greek mythology, which symbolizes the ocean that surrounds the Greek mainland and breeds many islands. It not only represents the main geographical features of Greece, but also is an important part of Greek life and psychology.

The exhibition displays 34 pieces (sets) of modern and contemporary Greek art works, and reproduces 5 ancient Greek cultural relics in the form of holographic projection, trying to explore and show the special relationship between Greece and the ocean from a historical perspective, and how they reflect the rich connotation of the ocean in visual art.

Prosperity and Prosperity —— Shanghai Museum’s Gifted Cultural Relics Exhibition

Venue: Shanghai Museum

Exhibition period: March 10th, 2022-January 8th, 2023.

There are 195 donated cultural relics in the exhibition, including Wang Nanping and Fang Shuyan’s "The Outline of Lengyan Sutra" donated by Wang Anshi in the Northern Song Dynasty, Fu Cha, the King of Wu in the late Spring and Autumn Period donated by Stanley Ho, and the Ming Dynasty Shen Zhou’s "Drawing the Axis of Xie ‘an Dongshan" donated by Weng Wange. The exhibition is another exhibition of cultural relics donated by Shanghai Expo after the "Prosperous Millennium" and "Mountain Scenery" held last year, and it is also a wonderful chapter in the celebration of the 70th anniversary of the Shanghai Museum this year.

Giorgio Morandi

Venue: Shanghai Jiushi Art Museum

Exhibition period: July 9-October 9, 2022

There are 51 original paintings of Mo Landi on display, including 39 oil paintings, 6 original prints, 4 watercolors and 2 sketches, spanning Mo Landi’s nearly 50-year creative career. The works on display are from the Mo Landi Museum in Bologna, Mo Landi’s hometown, the National Museum of Modern Art in Rome, the world-famous Giovannadi private collection and IMAGO Gallery.

Endless with Heaven —— Shaanxi Zhou, Qin, Han and Tang Cultural Relics Exhibition

Venue: Fengxian Museum, Shanghai

Exhibition period: July 15th-September 15th, 2022.

The exhibition, in chronological order, is divided into four units, namely, "Brilliant History of Zhou Dynasty", "Oriental Empire", "Heroes of Han Dynasty" and "Meteorology of Prosperous Tang Dynasty", which shows the splendid history of the Chinese nation and its energetic and tolerant cultural self-confidence from the aspects of political system, social economy, people’s livelihood culture and foreign exchange.

Dahan Haijiang: South Vietnam Maritime Civilization Exhibition

Venue: China Maritime Museum

Exhibition period: July 1-September 18, 2022.

154 pieces/sets of unearthed cultural relics were exhibited, including the only complete silk jade garment in the world, the largest gold seal in the Western Han Dynasty, and the only dragon button emperor seal in the Han Dynasty, which showed the unique Lingnan style and maritime culture of South Vietnam.

Straight and detour: the path of modern architecture in Taiwan, China

Venue: Shanghai Museum of Contemporary Art

Exhibition period: July 16th-October 16th, 2022.

The exhibition will introduce nearly 60 works by 16 architects/studios in Taiwan, China, and display related manuscripts, films, paintings, photographs, documents, models and immersive experience devices. The exhibition aims to sort out the development and latest exploration of modern architecture in Taiwan Province, and show the architect’s prudence and reflection on its identity.

Transforming the Future-The 8th Shanghai Duolun Youth Art Exhibition

Venue: Shanghai Duolun Modern Art Museum

Exhibition period: August 2-August 31, 2022

In the exhibition, works were collected by public solicitation and nomination and recommendation, and finally the works of 18 artists/groups were selected by the expert judges, covering painting, installation, sound, video and performance.

Beauty of Power —— Lu Xun and Printmaking

Venue: Shanghai Luxun Memorial Hall

Exhibition period: July 26th-September 12th, 2022.

The exhibition displays 89 pieces (sets) of rubbings, notes, Japanese ukiyo-e, European prints and prints created by China emerging woodcut artists trained by Lu Xun, among which 11 pieces are first-class cultural relics, and most of the rest are second-class cultural relics, in addition to 15 works of art by famous artists. In this way, it presents the accumulation process of Lu Xun’s artistic thoughts, and advocates and promotes the artistic creation of modern woodcut prints in China.

Long-term design: thinking and practice

Venue: Pearl Art Museum

Exhibition period: July 3-November 6, 2022

With more than 600 design works in 9 units, the exhibition goes deep into the traditional and modern features of regional products, and comprehensively and systematically introduces the design thinking and multi-field practice of Nagaoka Sage.

Jiangnan Life Aesthetics Exhibition

Venue: Shanghai Museum of History

Exhibition period: July 29th to August 28th, 2022.

Taking cultural relics as the carrier, the exhibition aims to show Jiangnan culture which is connected with rich, poetic, picturesque, moral and other cultural meanings. At the same time, the "Green Gold Beautiful Life-Fantasy Tour of China Tea in 17th-19th Century" presents the maritime tea trade in 17th-19th century and the influence of China tea culture on the world. This exhibition can be regarded as an extension of "life in the south of the Yangtze River", and can be viewed in contrast.

Nara Yoshitomo

Venue: BudiTek Art Museum (temporarily closed)

Exhibition period: March 5-September 4, 2022

Through more than 70 important paintings, sculptures, ceramics and installations, and more than 700 manuscripts that have not been exhibited, the exhibition reviews Nara Yoshitomo’s prolific artistic career spanning 37 years. This exhibition is not only the first solo exhibition of Japanese artist Nara Yoshitomo in Chinese mainland, but also his first large-scale retrospective tour around the world.

Water Domain —— Exhibition of the Kebranly Museum and the Fran? ois Schneider Foundation in France

Venue: Pudong Art Museum

Exhibition period: until August 31st.

The theme of "Water Domain" is water, which is the core of human life. It presents more than 100 collections of exhibits from the French Kebranli Museum and the Fran? ois Schneider Foundation, and has a unique dialogue from five aspects: water landscape manufacturing, water daily life, liquid imagination, sacred territory and water geographical transition.

Thomas Dimander: The Tongue of History

Venue: UCCA Edge

Exhibition period: July 8-September 4, 2022

Through more than 70 works such as photography, movies and wallpaper created by the artist in his career, the exhibition systematically sorts out the artistic practice of integrating sculpture and photography and exploring the junction of history, images and architectural forms.

The voice of all things

Venue: West Coast Art Museum (temporarily closed)

Exhibition period: July 28th, 2021-February 5th, 2023.

The exhibition brings together more than 160 masterpieces collected by Pompidou Center, and leads the audience into the hinterland of the avant-garde art movement under the background of globalization from the beginning of the 20th century to recent years with 18 exhibition chapters, touching the pulse of historical times with "things" and sinking into the sound behind listening to art..

Never Here —— Exhibition of Picasso, Van Donggen and Wu Lintian’s Works

Venue: Jane Gallery (CJ Fine Art, No.1, Lane 800, Zhongshan South Road)

Exhibition period: August 5-September 29, 2022

The exhibition combines eight Picasso’s works, two illustrations created by Van Dongen for Kipling’s collection of short stories, The Most Beautiful Story of Kipling, a famous British writer, and seven works recently created by China artist Wu Lintian, showing a special collision and integration of Chinese and Western arts. The Picasso series prints exhibited this time are the last set of prints made by Picasso before his death. In 1969, Picasso, who was 88 years old, spent two months creating 29 delightful portraits on corrugated paper with watercolor pigments, including mustaches, musketeers, deconstructed female faces, and abstract faces of Balzac, Shakespeare, Rembrandt and other literary giants. Among them, "Musketeer" series is one of the most important creative themes of the artist in his later years.

Wu Lintian is a painter who is engaged in abstract art creation and studies the tradition of Chinese painting. The seven works in this exhibition have changed their previous fascination with black and brown, and are mainly light pink. The works take the ancient towns, villages, pastoral areas and streets around the artist’s studio as the main reference objects, and complete the imagery creation by means of board linen and homemade pigments.

Substitute flowers for trees-Betan Lavier

Venue: Shanghai Fosun Art Center

Exhibition period: July 1st-September 4th, 2022.

This is the 73-year-old French national treasure artist’s first exhibition in Chinese mainland. Looking back on its pioneering artistic practice, the exhibition explores the relationship between painting and sculpture, expression and abstraction, and life and art with its iconic misappropriation art, and at the same time, creates a fantastic world of subversion for the audience through the concept of "scene construction".

Huayuan-Natural Return to the City

Location: moca shanghai.

Extension: lasting until mid-August.

With the unique curatorial concept of "thinking", the exhibition focuses on introducing the topic of "supernatural city". It is composed of three exhibition areas and seven unit theme exhibitions, bringing together the works of 12 artists, covering paintings, installations, images, photography and other media, and expressing the topic of "sustainable development" with the continuous increase of temperature in a cool way.

Your childhood, my memory —— Children’s images in contemporary photography

Venue: Biyun Art Museum, Pudong

Extension: lasting until September 18th, 2022.

Through 10 groups of 99 works by many artists, the exhibition shows some concrete achievements in children’s image creation in China since the reform and opening up, including both documentary works reflecting social changes and childhood scenes "imagined" thanks to digital technology.

Beijing

Worship Wei Yao De —— Qing Dynasty Military Equipment Exhibition in the Palace Museum

Venue: Beijing Guardian Art Center

Exhibition period: July 22-October 30, 2022

According to their functions, the exhibition divides the Qing Palace’s armament cultural relics into three units, namely "Courtesy to Heaven and Earth", "Shenfeng Grasping Victory" and "Baoye Ningtao", showing the application of armament in etiquette and war and its artistic characteristics.

Encounter Mesopotamia: Fine Exhibition of Ancient Syrian Cultural Relics

Venue: National Museum of Classics

Exhibition period: June 25th-September 12th, 2022.

The area where the Tigris River and the Euphrates River, which originated in Anatolia mountains in history, flow is called the two-river basin, and the ancient Greeks called it Mesopotamia, which means "the land between the two rivers". The exhibition displays 196 pieces/groups of exquisite cultural relics from Syria, depicting a long historical and cultural picture, and also showing the friendly cultural exchanges between China and Syria.

The Origin of Italy-Exhibition of Ancient Roman Civilization

Venue: National Museum

Exhibition period: July 10th-October 9th, 2022.

The exhibition gathered 503 ancient Roman cultural relics to tell the lifestyle, folk customs and social reality at that time.

Oriental Lucky Gold-Exhibition of Ancient Bronzes in China, Korea and Japan

Venue: National Museum

Exhibition period: July 26th-October 9th, 2022.

About 50 pieces (groups) of fine bronze cultural relics collected by the national museums of China, South Korea and Japan are displayed in the exhibition, taking bronze as the carrier, presenting the ancient history and culture, etiquette civilization, science and technology and artistic achievements of the three countries.

Accumulate Thick and Spread Wide —— Exhibition of Archaeological Achievements of National Museum

Venue: National Museum

Extension: from July 2, 2022.

In the exhibition, more than 240 representative archaeological relics were selected from different dimensions of land, sea and air to show the archaeological achievements of Guobo around specific archaeological cases.

Rong Yao Dan Qing —— Portrait Exhibition of Ming and Qing Dynasties in China National Museum

Venue: National Museum

Exhibition period: from April 29th, 2022.

The exhibition consists of three units, and more than 50 masterpieces (sets) of portraits of Ming and Qing dynasties are selected. The themes cover the royal family, famous officials, celebrities, literary societies, boudoir, women’s faces and other aspects, and the interpretation of the functional meaning of paintings is systematic, diverse and in-depth. Including "Sitting in Kangxi’s Study", "Du Fu’s Herb-picking Map" and "Chasing Huan and Getting Lu Map".

Sven Chuan Gu Feng: Deng Tuo donated ancient painting exhibition.

Venue: China Art Museum

Exhibition period: June 21st-August 25th, 2022.

To commemorate the 110th anniversary of Deng Tuo’s birth, China Art Museum held this exhibition, displaying more than 70 paintings donated by Deng Tuo. Through the three parts of "Xiaoxiao Bamboo, Lei Leishi", "Moving Vivid Quality to Freehand Style" and "Seeing the Road with Sincerity", the cultural value and charm of China’s ancient paintings were interpreted. The exhibition will also present a set of photos, documents and books for the first time, showing Deng Tuo’s elegance and charm.

A Master and a Half-bosom Friend —— A New Situation of Flower and Bird Painting by Qi Baishi, Yu Feian and Wang Xuetao

Venue: Beijing Painting Academy

Exhibition period: June 30th-September 18th, 2022.

The exhibition collected more than 70 pieces of flower-and-bird paintings by Qi Baishi, Yu Feian and Wang Xuetao. From the perspective of artistic inheritance, the exhibition studied three different types of flower-and-bird painters as a whole, and analyzed and explored the fundamental reasons why modern flower-and-bird painters opened up a "new realm" in the era from the four dimensions of "tracing back to the ancients", "imitating the ancients" and "expressing their feelings" for the broad audience.

Architecture with Five Senses: Kengo Kuma Architectural Design Exhibition

Venue: Guardian Art Center

Exhibition period: July 22-October 30, 2022.

The exhibition starts from the "five senses" from the presentation to the content, emphasizing all the senses of the future architecture responding to the lawsuit, and exhibiting works such as Bamboo Stream, Bamboo Qu, Bamboo and Stone, which bring comfort to people’s hearts.

Peking University Archaeology 100 Years Special Exhibition of Archaeology Major in 70 Years

Venue: Secler Museum of Archaeology and Art, Peking University

Exhibition period: May 3, 2022-May 10, 2023

The exhibition presents more than 100 pieces (sets) of exhibits, including cultural relics specimens, excavation reports, photos and literature files excavated by Peking University Archaeology over the years. There are two exhibition lines inside and outside the exhibition. The inner line is the memorabilia of the college, and the outer line introduces the important archaeological work that Peking University participated in and its contribution to the development of discipline theory and method.

Zhejiang(Province)

Wind and Lotus —— Lotus Culture and West Lake in Hangzhou

Venue: West Lake Art Museum

Extension: lasting until September 7th.

There are 170 lotus-themed cultural relics and handicrafts on display in the exhibition from Neolithic Age to modern times, all of which reveal the charm and elegance of lotus-themed cultural relics, from the Chicken Head Pot in the Six Dynasties, the celadon in Yueyao, the celadon with lotus patterns in Longquan Kiln in the Song and Yuan Dynasties, to Chen Hongshou’s "Lotus with Two Butterflies".

Metaphysics —— Longquan celadon from the perspective of Song Yun

Venue: Zhejiang Provincial Museum

Exhibition period: June 18th-August 18th, 2022.

More than 20 pieces of southern song Longquan celadon unearthed from the cellar in Jinyucun Village, Sichuan Song Porcelain Museum were exhibited, including the southern song Longquan celadon bottle, the southern song Longquan celadon water purification bowl and the southern song Longquan celadon ear-piercing bottle. This is also the second series exhibition of Longquan celadon with the theme of comparison between ancient and modern after 2021.

Antique Shadow —— Huang Binhong’s Ancient Seal Collection Exhibition

Venue: Zhejiang Provincial Museum (Wulin Hall Area)

Exhibition period: June 1st-September 3rd, 2022.

In the exhibition, 129 buttons of ancient seal collected by Huang Binhong before his death are displayed in contrast with his calligraphy and interpretation, supplemented by more than 40 manuscripts of seal science and ancient philology and paintings and calligraphy works. Through Huang Binhong’s collection, this paper aims to explore his views on collection, art and values, so as to pursue the interaction between Huang Binhong’s artistic creation and collection and his hidden spiritual pursuit.

Ding Bing and Hangzhou in the 19th Century

Venue: Hangzhou Museum

Exhibition period: May 18th-November 20th, 2022.

The exhibition is the first exhibition of the "Qiantang Tide" urban culture series, with a total of 63 sets/pieces, including letters, scrolls, rare books, bronzes, silks, ceramics, furniture and many other categories. The exhibition is divided into three units, namely "People on Qiantang River", "Reviving the Old Lakes and Mountains" and "Relieving Hang Cheng". It focuses on the construction and reform of Hangzhou gentry represented by Ding Bing in the late 19th century in many fields, such as industry, education, culture, charity and city, which provides a reference for China’s modernization.

From Hutemas to Future Vision: Design History of Soviet Russia —— Creating a New World

Venue: China International Design Museum of China Academy of Fine Arts.

Exhibition period: March 17th-September 22nd, 2022.

Focusing on the design innovation from Soviet Russia to the Soviet Union, the exhibition is the first large-scale exhibition of the complete design history of this period in China, aiming at exploring the pioneering experiments and achievements of the design in this period for building a new life world, and tracing back to the endogenous motivation and creativity in the design and art fields. The types of works presented in the exhibition cover drama, architecture and handicrafts related to this theme, as well as most modern design categories such as products, planes, clothing and transportation.

Jiangsu(Province)

"Jin State" Special Exhibition

Venue: Nanjing Museum

Exhibition period: June 25th-October 7th, 2022.

The exhibition displays 231 pieces (sets) of fine cultural relics from Shanxi Museum. Through three units, namely "Favourite of Hefen", "Striving for hegemony in the Spring and Autumn Period" and "Yu Lie San Jin", it focuses on the 600-year great achievements of the State of Jin from "sealing brothers with tung leaves" to "dividing Jin into three families".

Pan Yuliang painting special exhibition

Venue: Nanjing Museum

Exhibition period: July 16th-October 10th, 2022.

The unique artistic interest of Pan Yuliang’s works under the collision of Chinese and western cultures is realized from three units: Portrait and Figures, Women and Human Body, Scenery and Still Life.

"Enriching the Brilliance, Being Beautiful and Being Great" Series Exhibition to Commemorate the 100th Anniversary of Suzhou Art College.

Venue: Suzhou Art Museum and Yan Wenliang Memorial Hall.

Exhibition period: from July 15th.

The exhibitions include "Picturesque Canglang Overlooking the South of the Yangtze River-Invitation Exhibition of National Oil Paintings by Famous Oil Painters" (Suzhou Art Museum), "Looking at Canglang Festival-Yan Wenliang and Suzhou Academy of Fine Arts, Canglang’s Three Masters’ Eyes and Beads"-Exhibition of the Works of Yan Wenliang, Hu Cuizhong and Zhu Shijie, the main founders, and the exhibition of the works of Wu Zishen, an important sponsor, etc.

The Appearance of Civilization —— Exhibition of Ancient Cultural Relics in Eurasia

Venue: Suzhou Wu Culture Museum

Exhibition period: June 30th-September 20th, 2022.

The exhibition brought together more than 190 sets (pieces) of representative cultural relics of various civilizations on the Eurasian continent, and the cultural relics were collected from Syria, Afghanistan, Iran, Turkey, Italy and other countries. These ancient cultural relics from foreign countries show some characteristics of the formation and development of civilizations in the Mediterranean region, western Asia and central Asia, and lead the audience to feel the characteristics of cultures in Asia and Europe and the exquisiteness of cultural relics from different angles.

Beauty surnamed Dong

Venue: Suzhou Museum

Exhibition period: June 3-August 31, 2022

The exhibition found 10 "Dong Shi" recorded in history, from Dong Meiren in Sui Dynasty to Dong Xiaoyuan in late Ming Dynasty, including more than 70 pieces (sets) in different categories, including gold and silver wares, porcelain, inscriptions, ancient books, calligraphy and painting, showing the beauty of ancient ladies’ daily life, telling the marriage and life, talents and images, feelings and ideals of women in Dong Shi through one piece of cultural relics, and using this as a window to explore China.

Zhongzhi Shenzhou —— Gorgeous Luoyang City in Tang Dynasty

Venue: Yangzhou China Grand Canal Museum

Exhibition period: May 27th-August 28th, 2022

There are more than 230 exhibits (groups) in this exhibition, which are from the Institute of Archaeology of Chinese Academy of Social Sciences, Longmen Grottoes Research Institute, Luoyang Museum, Luoyang Institute of Cultural Relics and Archaeology and shangcheng museum in yanshi. The exhibits are all archaeological excavations and collections of Tang Dynasty remains in Luoyang, among which there are rich first-class cultural relics, many of which are exhibited for the first time.

Purple jade is full of fragrance —— Special exhibition of Yixing purple sand in Nanjing Museum

Venue: Yangzhou Museum

Exhibition period: July 29th-October 9th, 2022.

92 pieces/set of Yixing purple sand ware were displayed, and the traditional craft, interesting aesthetics and literati charm of Yixing purple sand were shown to the audience from three aspects: "purple jade and gold sand", "the music is wonderful" and "the rhyme is full and dry".

Henan(Province)

Wang Duo Calligraphy Art Exhibition —— With an array of horses and a pen.

Venue: Henan Museum

Exhibition period: July 8-September 12, 2022

The exhibition carefully selected nearly 80 pieces (sets) of exhibits from 20 cultural and cultural institutions, covering the representative calligraphy works and rubbings handed down from ancient times in Wang Duo, as well as some works of making friends. They were gathered together and displayed in four parts, namely, "Imitating the Sage from Ancient Times", "Exploring the Path to Find Yourself", "Being Broad-minded" and "Writing by Literary Friends", which not only reflected the specific style and aesthetic orientation of the times.

Hebei

Fulu Shouxi Good Life —— Special Exhibition of Auspicious Culture in China

Venue: Hebei Museum

Exhibition period: July 8-November 8, 2022

More than 300 pieces (sets) of exhibits with auspicious meanings have been carefully selected in this exhibition, and the exhibition theme of "Fu Lu Shou Xi" has been condensed, including porcelain, jade, gold and silver wares, calligraphy and painting, fabric, paper-cutting, animal specimens, scientific painting, etc. Through the excavation of traditional auspicious culture in China, the audience can deeply understand the natural and humanistic attributes of animals and plants, and the important influence of auspicious culture on national spirit and social life.

Gracefulness —— The Elegant Life of Empresses in Qing Dynasty

Venue: Chengde Museum

Exhibition period: July 25th-October 25th, 2022.

The theme of the exhibition is the life of imperial concubines in Qing Dynasty. Through three units, namely "beautiful clothes and ornaments", "famous utensils" and "leisure and elegance", nearly 80 cultural relics, such as dress accessories, makeup combs, literary study, calligraphy and painting, needlework embroidery and tea set tableware, are displayed to reproduce the graceful, quiet, rich and unique court life of imperial concubines in Qing Dynasty.

Hunan

Infinite Beauty —— Literature and Female Images in Figure Paintings in Ming and Qing Dynasties

Venue: Hunan Provincial Museum

Exhibition period: June 23rd, 2022-October 30th.

The exhibition is divided into four units: the first unit expresses ancient women’s contribution to the family, the second unit shows the realization of ancient women’s social values, the third unit conveys the influence of women’s spiritual strength on the world, and the fourth unit explains the awakening of women’s self-awareness, focusing on the multiple social roles played by ancient women, their self-cultivation and sense of home country, and showing the literature and female images in figure paintings in Ming and Qing Dynasties.

Shanxi

The Great Man and the King of Chu —— Xuzhou Han Dynasty Chu Cultural Relics Exhibition

Venue: Shanxi Museum

Exhibition period: June 21st-October 10th, 2022.

More than 270 pieces of Han Dynasty cultural relics selected in the exhibition are mainly unearthed from the tombs of several Han Dynasty princes in Xuzhou, supplemented by the tombs of the emperors in Shanxi and related Han tombs, which interpret the historical features of the Han Dynasty vassal countries from various angles and provide a new perspective for the public to understand the culture of the Han Dynasty.

Guangdong

Faxian Dingyao

Venue: Nanyue King Museum

Exhibition period: June 21st-September 20th, 2022.

In the exhibition, 294 pieces/sets of porcelain, kiln furniture and specimens from Ding Kiln in various periods collected by many cultural and cultural institutions in Hebei and Nanyue King Museum were exhibited, including 22 pieces/sets of first-class cultural relics. Combined with exquisite cultural relics, it is divided into six themes: Famous Dingzhou, Beyond the Dust for a Thousand Years, Gunnar Palace, Elegant Geometry, Great White in the World and Millennium Covenant. Through the history, decoration, technology, culture and communication of Ding Kiln, the product appearance, cultural connotation and the development of contemporary Ding porcelain in different periods are presented.

Hong Kong

Opening Exhibition of Hong Kong Palace Museum of Culture

Venue: Hong Kong Palace Museum of Culture

Extension: from July 2, 2022.

Seven special exhibitions were launched in the first phase, presenting more than 700 precious cultural relics from the Palace Museum in Beijing, covering 25 categories such as paintings, calligraphy, bronzes, ceramics, gold and silver wares, jade articles, lacquerware, sculptures, books and classics, with a time span of 5,000 years.

Taipei

The quintessence of rare books and ancient books collected in the Academy —— Brahman and Classic Fold

Venue: North Campus of National Palace Museum in Taipei

Exhibition period: until September 11th.

The exhibition is divided into two parts: "Brahma" and "Sutra". The former starts with "books written on leaves", selects and displays the sutra of Bayleaf in Myanmar, and tells the origin of "Brahma". In the latter, books are hand-rolled, and the earliest Chinese tripitaka-Chongning Zang (in the early 12th century) is matched. After comparing and expounding its evolution, various classics such as Confucianism, Buddhism and Taoism are displayed, showing its unique style of solemnity, prudence, simplicity and elegance.

Popular national treasure exhibition

Venue: Southern Campus of National Palace Museum in Taipei

Exhibition period: January 25th, 2022-January 29th, 2023 (the exhibits will be updated on July 26th).

Focusing on the famous works in the art history collected by the National Palace Museum in Taipei, the cultural relics on display are all popular national treasures. On July 26th, the masterpieces of the Qing Dynasty, such as Yu Bi Shu Wan Shi Shi Shi Biao and fleshy stones, will be exhibited, and Wang Xizhi’s Three Postings of Peace, How to Serve an Orange, will be exhibited from October 4th to October 30th.

Worm hide and seek

Venue: North Campus of National Palace Museum in Taipei

Extension: lasting until September 25th.

The exhibition focuses on the paintings of grass insects in past dynasties, hoping that the audience can find out these little creatures captured by the painter, know their true identities, and understand the stories related to grass insects and the hidden meanings behind them.

abroad

Britain

Taste Impressionism: French Modern Art from millet to Matisse

Venue: National Gallery of Scotland

Exhibition period: July 30th-November 13th, 2022.

The exhibition shows many world-class masterpieces such as Van Gogh, Degas and Gauguin, as well as seven complete sets of Jazz by Monet and Matisse, which tells how Scotland became one of the greatest collections of impressionist and post-impressionist art in the world. The self-portrait just discovered after Van Gogh’s "The Head of a Peasant Woman" in 1885 is also displayed in the form of a light box.

Anatomy: about life and death

Venue: National Museum of Scotland

Exhibition period: July 2-October 30, 2022

The exhibition explores people’s pursuit of anatomical science in the past 500 years, and also shows the art and history related to it. These include Leonardo da Vinci’s sketches and the bones of the corpse trafficker William Burke, a man who killed for science and eventually became a scientific specimen himself.

Pre-Raphael School: Sketch and Watercolor

Venue: Ashmoline Museum, Oxford

Exhibition period: July 15th-November 27th, 2022.

More than 100 pre-Raphael works on paper (including portraits created by painters, commissioned paintings, and themes such as history, literature, and scenery) were exhibited. Most of the works are collected by the Ashmoline Museum since 1893, mainly from the legacy of Martha Qom, a pre-Raphael patron.

Tutankhamun: Digging Files

Venue: Bodley Library, Oxford University

Extension: lasting until February 5, 2023.

This year marks the centenary of the discovery of Tutankhamun’s tomb by British archaeologist howard carter and his team. Different from previous exhibitions which focused on Tutankhamun and howard carter, this exhibition paid special attention to the contributions of other members of the team outside Carter, especially the unknown Egyptian workers who helped to discover Tutankhamun’s mausoleum.

Milton Avery: American master of color matching

Venue: Royal Institute of Art, UK

Exhibition period: July 15th-October 16th, 2022.

Milton Avery (1885 -1965), a modern American artist, is regarded as one of the greatest color masters in North America in the 20th century. He described the American land and seascape in the wild way of French Fauvism, which had an important influence on the creation of Roscoe, Pollock and others. The exhibition presents 70 paintings created by him from 1930s to 1960s, which are usually characterized by depicting daily life, including portraits of relatives, tranquil scenery in Maine and Cape Cod.

Edvard munch: A masterpiece from Bergen.

Venue: Courtyard Gallery

Exhibition period: May 27th-September 4th, 2022.

From the 1980s to 1909, the exhibition spanned several decades, and only 18 works of Monk were exhibited, but each one was a masterpiece full of vitality and dramatic tragedy. The works on display include Morning (1884), Summer Night (1889), Night of Karl John (1892), Melancholy (1894-1896) and Before Dying (1895), which shows the development of Munch’s art.

Picasso and Angel: Face to face

Venue: British National Museum

Exhibition period: June 3-October 9, 2022

Picasso’s Woman with a Book (1932) at the Norton Simon Museum in California was exhibited for the first time alongside its inspiration Anger’s painting Madame Moisil. Picasso met the mysterious Madame Moisil for the first time in an exhibition in Paris in 1921, and was deeply fascinated. In the next ten years, Picasso repeatedly paid tribute to Angel in his works of art.

Female Power: From Gods to Demons

Venue: British Museum

Exhibition period: May 19th-September 25th, 2022.

With the theme of "Women’s Power", the exhibition brings together ancient paintings, sculptures, sacrificial objects and modern and contemporary artworks from six continents around the world, focusing on the female gods and demons worshipped and feared by human beings in the past 5,000 years, and examining the role played by women in shaping human cognition of the world from a cross-cultural perspective.

Reconstruction: the woman in the window

Venue: Dulwich Art Museum, London

Exhibition period: May 4th-September 4th, 2022.

The exhibition spans all ages, starting from an ancient Greek vase, and brings together more than 50 works by Botticelli, Luo Saidi, Hockney: A Life In Pictures, Bourgeois, Cindy Sherman and other artists, revealing how artists interpret women in different times and cultures with a traditional theme.

United States of America

Chrome: Ancient Color Sculpture

Venue: Metropolitan Museum of Art, New York

Exhibition period: July 5, 2022-March 26, 2023

In the original and energetic form, the exhibition "restored" and reproduced 14 ancient Greek and Roman statues such as the Sphinx, as well as more than 40 other ancient sculptures and pottery. In the bright exhibition hall of the Metropolitan Museum, they talk with ancient sculptures polished by time into pure white.

Memory of water

Venue: Metropolitan Museum of Art, New York

Extension: lasting until April 2, 2023.

This is a small, poetic and multifaceted exhibition, which discusses the material and symbolic role of water in Native American life. Organized by Patricia Marroquin Norby, deputy curator of American art at the Metropolitan Museum of Art, the exhibition combines traditional cultural relics in the museum’s permanent collection with contemporary works on loan, some of which are made by non-indigenous artists.

Raphael-The Energy of Renaissance Images: Dresden Tapestry and Its Influence

Venue: Columbus Museum of Art, USA

Exhibition period: it will be exhibited until October 30, 2022.

Six large-scale tapestries of biblical scenes designed by Raphael were exhibited, which were based on the same batch of design sketches as Raphael’s tapestries for the Sistine Chapel, and were woven by a workshop in London after Raphael’s death. The exhibition tries to show the power of image reproduction hundreds of years ago and the influence of Raphael tapestry painting on later artists.

"Cezanne" Special Exhibition

Venue: Chicago Museum of Art

Exhibition period: May 15th-September 5th, 2022.

The exhibition explores Cezanne’s cross-media and cross-genre artistic practice through 80 oil paintings, 40 watercolors and sketches, and two complete sketches. In addition to still life, portrait theme, impressionist landscape painting, Mount St. Victor, "Bather" series and other iconic painting themes of Cezanne, the exhibition also exhibited early fable paintings that were little known. These works combine the artist’s palette, composition deconstruction and other most advanced technical analysis to interpret how Cezanne conceived and made the image step by step towards the truth of the human eye.

Matisse: The Red Studio

Venue: new york Museum of Modern Art (MoMA)

Exhibition period: May 1st-September 10th, 2022.

The exhibition brings together six existing paintings, three sculptures and a ceramic work from the works in The Red Studio, and presents them in the exhibition-they were in Matisse’s studio when Matisse drew The Red Studio. It is reported that this is the first reunion of these works after more than one hundred years.

Diego Rivera’s America

Venue: San Francisco Museum of Modern Art

Exhibition period: July 16th, 2022-January 2nd, 2023.

The exhibition presents 150 oil paintings, murals and sketches by this Mexican artist. The exhibition focuses on Rivera’s creation from the 1920s to the 1940s, when he regarded murals as "weapons" of social change and expressed his vision of "Pan-American reunification" on both sides of the border between Mexico and the United States.

Georgia O ‘Keeffe, photographer.

Venue: Denver Art Museum, USA

Exhibition period: July 3-November 6, 2022

When Ou Jifu devoted herself to photography in the mid-1950s, her creative identity and unique artistry had been established. Photography showed the artist’s persistent fascination with natural cycles and changes, while the exhibition was a tribute to Ou Jifu’s fascination with visual metaphors.

Norway

Norway’s new national museum opens

Venue: New National Museum of Norway

Exhibition period: from June 11th.

The new National Museum of Norway is composed of the National Gallery of Norway, the Museum of Architecture, the Museum of Decorative Arts and Design and the Museum of Contemporary Art, with a cost of about 500 million pounds and more than 6,500 collections on display. The new National Museum specially set up the "Monk Hall" for edvard munch, displaying 18 core works of Monk, including Scream.

Italy

The 59th Venice Biennale

Venue: Venice

Exhibition period: April 23rd-November 27th, 2022.

The theme of the exhibition is the short story "Milk of Dreams" by Leonora carrington, a British-born Mexican surrealist artist, which discusses post-human, deformation, ecology and other issues. The exhibition itself is like a revival of surrealism in this era.

The theme exhibition of this Biennale has 213 artists from 58 countries and 81 countries. It is reported that the number of artists participating in this Biennale will be the highest since 2005, which is double the number of the previous Biennale. At the same time, this Biennale has set the highest number of female artists, and more than 80% of the participating artists are women.

France

The Golden Age of the Portuguese Renaissance

Venue: Louvre

Exhibition period: until October 10, 2022.

About 15 Portuguese paintings that are rare in France are exhibited, showing this fragment that is rarely mentioned in the history of art. The Portuguese Renaissance combined Flemish style with local national traditions, and developed its own unique style by combining keen and even humorous observation and narration.

German/1920s/New Objectivism/august sander

Venue: Pompidou Art Center

Extension: lasting until September 5, 2022.

The exhibition covers painting, photography, architecture, design, literature and music, etc. From Santer’s photographic work "People in the 20th Century" to otto dix’s portrait series, it depicts a group image of the 20th century and resonates with the present world undergoing various changes.

Germany

The 15th Kassel Literature Exhibition

Location: Castle Land

Exhibition period: June 18th-September 25th, 2022.

The exhibition was curated by ruangrupa, an Indonesian artist group. They got inspiration from the "Micang" in rural Indonesia, formed the curatorial concept, and regarded the literature exhibition as a collective resource "from and used in Kassel city" to support local artistic practice.

The 12th Berlin Biennale

Venue: Berlin Art Institute, Hamburg Railway Station Art Museum, KW Center for Contemporary Art, etc.

Exhibition period: June 11th-September 18th, 2022.

The theme of the 12th Berlin Biennale is "Still exists!" Curator Kader attiya, a French-Algerian interdisciplinary artist, discussed the theme of "Crazy and destructive competition of global capitalism in production". Other topics covered in the exhibition include global warming, decolonization and the role of human beings in it. However, what supports this Berlin Biennale is neither the past nor the colloquial future, but it points to the real world in different ways.

Schliemann’s world

Venue: James Simon Art Museum and New Museum.

Extension: lasting until November 6, 2022.

2022 is the bicentennial of the birth of Heinrich Schliemann, a German archaeologist and discoverer of the ancient city of Troy. There are about 700 exhibits on display in this exhibition, including spectacular archaeological excavations, as well as many international borrowed exhibits, which will focus on the unexposed side of schliemann and what he was like before he started archaeology. The exhibition also uses the current research results to critically examine the archaeological methods of schliemann’s time.

Switzerland

The Evolution of mondriaan

Venue: Basel Beyeler Foundation

Exhibition period: June 5-October 9, 2022

There are 89 works on display, 82 of which are borrowed from art institutions and private collectors all over the world. Through the comparison and continuation of works in different periods, we can see the changes of mondriaan’s art.

Picasso-El greco

Venue: Basel Art Museum

Exhibition period: June 11th-September 25th, 2022.

The exhibition traces greco’s influence on Picasso in the form of a pair of their works, highlighting the lifelong kindness of the "old master" to the modernists.

Japan

In 2022, the wife of Yue Hou had an art festival of the earth.

Location: Yue Hou’s wife has

Exhibition period: April 29th-November 13th, 2022.

Among this year’s earth art festival, there are the dead Christian’s "Mori Jing", the Russian artist Kabakov and his wife’s new work "Tower of Holding Hands" that have participated since the first session, and the Ukrainian artist Jenna Kadyrova’s "stone bread" that yearns for daily life and peace; The works of Japanese local artists reflect the local culture and the use of daily tools.

Dialogue between Nature and Man: From Friedrich, Monet, Van Gogh to richter

Venue: National Western Art Museum

Exhibition period: June 4-September 11, 2022

To celebrate its reopening, the National Museum of Western Art in Japan launched this exhibition in cooperation with the Museum Folkwang, Essen) in Germany. Focusing on the "Dialogue between Nature and Man", it brought together more than 100 collections from German Romanticism, Impressionism and Post-Impressionism to modern art in the 20th century, and traced back the changes of western perception of nature and artistic expressions in modern times.

Notice of Hangzhou Municipal Bureau of Culture, Radio, Film and Television Tourism on Printing and Distributing the Measures for the Administration of Representative Projects of Hangzhou Municipal Int

Hangwenguang Travel [2021] No.44

District, county (city) Culture, Radio, Film and Television Tourism and Sports Bureau, relevant units:

In order to further strengthen the management of representative projects of intangible cultural heritage in our city and effectively protect the representative projects of municipal intangible cultural heritage, according to the People’s Republic of China (PRC) Intangible Cultural Heritage Law, the Regulations on the Protection of Intangible Cultural Heritage in Zhejiang Province and other relevant laws and regulations, with reference to the Administrative Measures for Representative Projects of Provincial Intangible Cultural Heritage in Zhejiang Province (for Trial Implementation), and based on the actual situation of current protection work, the Administrative Measures for Representative Projects of Hangzhou Municipal Intangible Cultural Heritage are studied and formulated. It is issued to you, please follow it carefully.

Hangzhou culture radio, film and television tourism administration

September 2, 2021　 　

Measures for the Administration of Representative Projects of Hangzhou Municipal Intangible Cultural Heritage

the first 　In order to strengthen the protection and management of Hangzhou intangible cultural heritage representative projects (hereinafter referred to as municipal intangible cultural heritage representative projects), these measures are formulated in accordance with the People’s Republic of China (PRC) Intangible Cultural Heritage Law, Zhejiang Intangible Cultural Heritage Protection Regulations and other relevant laws and regulations, with reference to the Zhejiang Provincial Intangible Cultural Heritage Representative Project Management Measures (Trial).

the second 　The term "municipal intangible cultural heritage representative projects" as mentioned in these Measures refers to the projects listed in the list of representative projects of Hangzhou intangible cultural heritage published by the Hangzhou Municipal People’s Government.

Article　The municipal department in charge of culture and tourism is responsible for the management of municipal non-legacy representative projects within the city.

Under the guidance of the municipal cultural and tourism authorities, the county-level cultural and tourism authorities are specifically responsible for the management of municipal-level non-legacy representative projects within their respective administrative areas.

Article 4 　According to the actual situation of the city’s intangible cultural heritage protection, the municipal cultural and tourism authorities regularly organize the identification of representative projects of municipal intangible cultural heritage. Identification of municipal non-legacy representative projects should follow the principles of openness, fairness and impartiality, accept social supervision, adhere to administration according to law, implement standardized evaluation, and strictly perform procedures such as recommendation, review, evaluation, publicity, approval and publication.

Article 5 　It is recommended to declare municipal non-legacy representative projects, which shall meet the following conditions:

(1) Conforming to the definition of intangible cultural heritage in People’s Republic of China (PRC) Intangible Cultural Heritage Law;

(2) It really exists and has outstanding historical, literary, artistic and scientific values;

(3) It has the functions of enhancing the cultural identity of the Chinese nation, safeguarding national unity and national unity, and promoting social harmony and sustainable development;

(four) in a certain group or region from generation to generation, with a long history and clear inheritance context, still exists in a living form;

(five) with distinctive regional characteristics, has a greater impact in the local.

Article 6 The following materials shall be submitted when recommending municipal non-legacy representative projects:

(a) the basic situation of the project, including the project name, introduction, distribution, history, present situation, value, inheritance scope, inheritance pedigree, inheritance activities, social impact, etc.;

(two) the project protection plan, including protection objectives, measures taken and achieved results, measures to be taken, management system, etc.;

(three) the recommended protection unit, including the qualification of the protection unit, the protection commitment, and the approval opinions of the relevant inheritors (groups);

(four) the recommendation of the expert review committee on the project;

(five) project pictures and audio-visual materials, etc.

Article 7 　The competent department of culture and tourism at the county level shall co-ordinate the recommendation of municipal non-legacy representative projects within its jurisdiction, and the basic procedures are as follows:

(a) selection from the county-level non-legacy representative projects;

(two) organize expert argumentation, put forward recommended projects and audit opinions;

(three) the list of recommended projects will be publicized to the public for a period of not less than 5 working days;

(four) with the consent of the people’s government at the same level, submit a recommendation report to the municipal department of culture and tourism.

Article 8 　Units directly under the municipal government can make recommendations directly to the municipal cultural and tourism authorities after organizing experts’ argumentation and obtaining the consent of the competent authorities.

Citizens, legal persons and other organizations think that an intangible cultural heritage embodies Hangzhou’s excellent traditional culture and has important value, they can put forward suggestions for inclusion in the list of municipal intangible cultural heritage representative projects to the competent department of culture and tourism where the project is located, which will be reported step by step by the accepted competent department of culture and tourism, and recommended to the municipal competent department of culture and tourism according to procedures after the demonstration.

Article 9 　The municipal department in charge of culture and tourism shall organize the identification of municipal non-legacy representative projects, and the basic procedures are as follows:

(a) the municipal administrative department of culture and tourism shall organize a preliminary examination of the recommended materials.

(two) the composition of the municipal non-legacy representative project expert review committee, and according to the declared project category, under the expert review committee, a number of expert review groups. The jury is composed of non-legacy experts and relevant personnel of the municipal cultural and tourism authorities. The review committee shall have 1 director and several deputy directors, and the director shall be the relevant person in charge of the municipal department of culture and tourism. The expert review team is composed of non-legacy experts of corresponding categories, and the number of members in each group is odd, with no less than 3 people in each group. The expert review team adopts the convener system, and each group has one convener.

(three) the expert review team carefully reviewed the recommended materials, and through collective appraisal, discussed and produced the primary list of municipal intangible cultural heritage representative projects, and the primary list of each corresponding category should be approved by more than half of the members of the expert review team.

(four) the review committee shall consider the opinions of the review team and put forward a list of recommendations, which shall be approved by two-thirds of the members of the review committee.

(five) the municipal administrative department of culture and tourism shall publicize the approved recommendation list to the public for public opinions, and the publicity period shall not be less than 20 days.

(six) the municipal administrative department of culture and tourism will report the list after publicity to the Hangzhou Municipal People’s government for approval and publication.

Article 10 　The composition of the expert review committee and the expert review team shall be implemented in accordance with the relevant requirements of the participation mechanism of experts in the protection of intangible cultural heritage of the Ministry of Culture and Tourism. The members of the expert review committee and the expert review team shall, in the spirit of being responsible for the country and history, enhance their sense of mission and responsibility, abide by the law, be honest and self-disciplined, strictly abide by the confidentiality provisions, and shall not disclose the information and information about the review work to the outside world and sign a confidentiality agreement. Projects that directly participate in the production of application materials, or have an interest relationship with recommended projects, should be avoided.

Anyone who violates the discipline of the review work will be disqualified from participating in the review after verification, and will be removed from the review committee and expert review team.

Article 11　The municipal competent department of culture and tourism shall guide and co-ordinate the protection of municipal intangible cultural heritage projects within its jurisdiction. The competent department of culture and tourism where the project is located shall formulate the overall planning for the protection of the municipal-level non-legacy representative projects in the region, and organize the municipal-level non-legacy representative project protection units to prepare the annual protection plan, improve the protection organization system and institutional system, implement the protection responsibility, and quantify the annual protection task indicators.

The municipal non-legacy representative project recommended and declared by the municipal directly affiliated unit shall guide the project protection unit and prepare the annual protection plan and protection plan of the project.

Municipal intangible cultural heritage representative project protection planning, should be reported to the municipal department of culture and tourism.

Article 12 Municipal non-legacy representative project protection units specifically undertake the protection and inheritance of the project. The proposed list of protection units shall be put forward together when recommending projects. After being approved by the expert review team, it shall be recognized and published by the municipal competent department of culture and tourism, and awarded the municipal representative project signs.

Municipal representative project signs shall be hung and properly kept by the protection unit. Without the consent of the municipal administrative department of culture and tourism, the protection unit and any other unit or individual shall not change, copy and sublicense the signs without authorization.

Article 13　Municipal non-legacy representative project protection units shall meet the following conditions:

(a) in the municipal non-legacy representative project declaration area, in principle, should have the qualification of independent legal person;

(two) there is a person responsible for the protection of the project;

(3) Having a representative inheritor of the project or complete information of the project;

(four) the ability to implement the protection plan of the project, and the places and conditions for the inheritance and dissemination;

(five) approved by the representative inheritors or inheritors of the project.

Article 14 　Municipal non-legacy representative project protection units have the following rights:

(a) hanging and preserving the municipal cultural and tourism departments unified production of municipal non-legacy representative project signs;

(two) in various activities can use the municipal non-legacy representative project logo;

(three) to participate in the formulation of project protection planning;

(four) give priority to participate in non-legacy seminars and promotion activities organized by cultural and tourism departments at all levels;

(five) according to the provisions of the declaration to obtain special financial subsidies for cultural and tourism departments at all levels;

(six) other rights that should be possessed in accordance with laws and regulations.

Article 15 　Municipal non-legacy representative project protection units shall perform the following duties:

(a) in accordance with the protection plan and protection plan of intangible cultural heritage projects organized by the competent department of culture and tourism, improve the protection mechanism and system, implement protection measures, and actively carry out inheritance and dissemination activities;

(two) actively carry out project investigation, filing and practical research, and collect, preserve and display relevant physical objects;

(3) Keep close contact with the representative inheritors of the project, keep abreast of the physical and mental conditions and artistic skills of the representative inheritors, and provide guarantee support for them to carry out inheritance activities;

(4) Protecting the cultural sites on which the project depends;

(five) scientifically regulate the use of protection funds to ensure earmarking;

(six) regularly report to the local cultural and tourism authorities on the implementation of project protection and the use of protection funds, and accept supervision;

(seven) other obligations related to the protection of intangible cultural heritage.

Article 16 　If the protection unit really needs to be adjusted, it shall follow the following procedures:

(a) the competent department of culture and tourism where the project is located shall organize the collective evaluation of the relevant inheritors, groups and units of the project;

(II) After the appraisal is passed, the competent department of culture and tourism where the project is located shall apply to the municipal competent department of culture and tourism, and the application materials shall include the reasons why the protection unit really needs to be adjusted, the newly recommended qualification materials of the protection unit and the commitment to fulfill its responsibilities;

(three) the municipal department in charge of culture and tourism shall organize the examination of the materials, form an expert group for deliberation, study and determine the list of protected units that really need to be adjusted, and publicize and publish it on the official website.

Article 17 　Preservation institutions of intangible cultural heritage protection centers at or above the county level, municipal non-legacy representative project protection units and other related physical objects and materials shall establish and improve rules and regulations, properly keep the physical objects and materials of the project, and prevent damage and loss; And organize special research, innovate protection practices, and show protection results.

Article 18 　The competent departments of culture and tourism at or above the county level shall, through the following measures, promote the protection and inheritance of municipal intangible cultural heritage representative projects:

(a) on the basis of scientific and effective protection of municipal intangible cultural heritage representative projects, encourage and support the rational use of intangible cultural heritage representative projects to develop cultural tourism products and cultural tourism services with local cultural characteristics, such as intangible tourism commodities and intangible tourism routes, expand the inheritance and consumption groups, and promote the better integration of intangible cultural heritage into modern life.

(two) under the premise of adhering to the tradition, without losing its roots, encourage and support the research and improvement of key technologies and raw materials of traditional crafts, improve the quality of traditional crafts, enhance the creative value of projects, and enhance the vitality of inheritance.

(three) for specific areas with rich intangible cultural heritage, strong atmosphere and distinctive features, cultural and ecological protection zones can be established, and the overall planning of cultural and ecological protection zones can be formulated to implement regional overall protection.

The overall planning of cultural and ecological protection areas should be incorporated into the overall planning of local economic and social development, urban and rural construction planning, and be connected with various special plans such as environmental governance, land use and industrial development.

(four) in the community, rural areas and public culture, education, sports, health and other institutions or facilities at all levels to carry out the inheritance and dissemination of municipal intangible cultural heritage projects, through exhibitions, exhibitions, education, competitions, mass media and other means to enhance the public awareness of intangible cultural heritage projects.

(five) the construction of the administrative region comprehensive intangible cultural heritage museum and learning places; Encourage municipal non-legacy representative project protection units to build exhibition and study places for the project, or set up a certain scale of research and experience sites in non-legacy tourist attractions and towns, and open them to the public.

(VI) Establish and improve the database of non-legacy representative projects, record project information truly and systematically, conduct project surveys regularly, record and store them by using modern information management means, and update relevant information such as the inheritance and dissemination activities of municipal non-legacy representative projects in a timely manner, except that it should be kept confidential according to law, which should be open to the public.

(seven) to carry out multi-sectoral cooperation in the protection of intangible heritage, to coordinate the places, environment and raw materials needed for the inheritance, promotion and operation of municipal intangible heritage representative projects, and to form a joint force for the development of intangible heritage protection.

Actively encourage and guide social forces to provide funds, places and volunteer services for the protection of municipal non-legacy representative projects.

(eight) organize the intangible cultural heritage protection training, exchange, practice and other activities attended by the municipal intangible cultural heritage protection units and inheritors in this administrative region, and improve the inheritance ability of the project protection units and municipal representative inheritors.

Encourage cooperation, co-construction and other forms to jointly carry out training and research on the protection of intangible cultural heritage with research institutions or institutions of higher learning that have the conditions for teaching and research of intangible cultural heritage and can undertake training tasks.

Article 19 　The municipal administrative department of culture and tourism shall implement supervision and inspection, performance evaluation and dynamic management system for the protection and inheritance of municipal non-legacy representative projects.

Encourage citizens, legal persons and other organizations to supervise the protection and inheritance of municipal non-legacy representative projects.

Article 20 　The municipal administrative department of culture and tourism shall regularly evaluate the protection and inheritance of representative projects of municipal intangible cultural heritage.

Article 21 　Municipal non-legacy representative project protection units should establish a regular self-inspection and reporting system for project protection work. The competent department of culture and tourism where the project is located shall regularly supervise the implementation of the annual protection plan of the project.

The competent department of culture and tourism at the county level shall organize an annual inspection of the progress of the protection plan for municipal intangible cultural heritage representative projects within their respective administrative areas, and submit the overall survival, implementation, inheritance, use of funds, dissemination and display of the municipal intangible cultural heritage representative projects in the previous year, as well as the overall protection plan for this year’s municipal projects to the municipal competent department of culture and tourism.

The municipal non-legacy representative projects recommended and declared by the municipal directly affiliated units shall be submitted to the municipal competent department of culture and tourism every year on the project’s annual project survival, protection planning implementation, inheritance work, use of funds, dissemination and display, and this year’s project protection plan after being audited by the competent department.

Article 22 Municipal departments of culture and tourism regularly carry out spot checks on the protection and inheritance of municipal non-legacy representative projects, and the protection units that find problems in the protection and inheritance work during the spot checks should urge them to correct and rectify.

Article 23　Municipal non-legacy representative project protection units shall formulate emergency plans for emergencies and major events. The competent department of culture and tourism at the county level shall report to the competent department of culture and tourism at the municipal level in a timely manner the sudden major events that occur in the protection and inheritance of municipal intangible cultural heritage projects.

Article 24　Municipal non-legacy representative project protection units have one of the following acts, and the local cultural and tourism authorities shall make rectification within a time limit; If the circumstances are particularly serious or the rectification is ineffective, it shall be verified by the municipal cultural and tourism authorities, revoke its qualification as a protection unit, recover the municipal non-legacy representative project signs, re-identify the protection unit, and announce it to the public:

(a) ineffective protection or improper protection measures, resulting in the deterioration of the survival of municipal non-legacy representative projects or serious problems;

(two) delayed in the performance of protection duties, failed to effectively implement the municipal non-legacy representative project protection plan;

(three) distorting and derogating from the municipal non-legacy representative projects, causing adverse social impact;

(four) neglect of management, causing major conflicts between inheritors and causing adverse social impact;

(five) failing to use the government’s special funds for the protection of intangible cultural heritage in accordance with the relevant provisions;

(six) failing to submit the project protection in accordance with the relevant provisions.

Article 25 　Municipal non-legacy representative projects will no longer be "alive" and die out due to changes in the objective environment, poor protection, etc., and will be approved by the municipal cultural and tourism authorities to organize experts to review and identify, report to the municipal government for approval to withdraw from the list, and make an announcement to the public.

Article 26 　Individuals, units and other social organizations that have made remarkable contributions to the management, protection and inheritance of municipal intangible cultural heritage shall be commended and rewarded by the competent departments of culture and tourism at all levels in accordance with the relevant provisions of the state.

Article 27 　These Measures shall be interpreted by the municipal administrative department of culture and tourism.

Article 28　These Measures shall come into force as of October 15, 2021.

Naval equipment research institute makes uncompleted residential flats a key national defense laboratory.


　　Zhao Yongfu, president of Naval Equipment Research Institute and executive director of China Shipbuilding Engineering Society, has presided over and participated in many major equipment projects.


　　A series of recent major events and new changes in the Naval Equipment Research Institute closely revolve around a distinct theme-improving the ability of independent innovation in scientific research. In everyone’s eyes, the Party Committee of the Academy, which has just experienced the study and practice activities in the previous stage, is like a "locomotive" with full strength, which drives scientific research and innovation into the "fast lane".


　　Look for problems and dare to poke "pain points"


　　"Independent innovation is the foundation of our demonstration research institution!" This understanding of Liu Mingli, political commissar of the Naval Equipment Research Institute, was written into the "Decision on Vigorously Improving the Ability of Independent Innovation in Scientific Research" recently issued by the Party Committee of the Institute, so as to make it clear at the beginning.


　　During the study and practice of Scientific Outlook on Development, the Institute has grasped the main contradiction that "the ability of independent innovation in scientific research is incompatible with the requirements of fulfilling the mission and responsibilities", and the problem has really hit the "sore spot". Focusing on the fundamental goal of "improving the ability of independent innovation in scientific research", we focused on five aspects, such as top-level design of equipment and demonstration of major models, and made breakthroughs in seven aspects, such as enhancing the ability of macro-demonstration research, cultivating independent innovative talents, and giving play to the core leadership role of the Party Committee in promoting independent innovation. A series of major measures to rectify and implement problems are in full swing …


　　High-level demonstration of research results is the most important thing for research institutes that are revered as "think tanks" and "think tanks" for naval equipment construction and development. The Party Committee of the Research Institute seized the most urgent equipment problems that require the transformation and development of the navy and affect the construction of the navy’s military capability, sorted out and refined six major macro-topics, such as "strategic requirements for the development of naval weapons and equipment", organized elite soldiers to focus on research, and further raised the demonstration research to a high level.


　　The demonstration of equipment capability will ultimately be verified by the actual combat environment. "Sitting in the laboratory and facing the computer", relying solely on this "study-style" demonstration method, is not closely related to actual combat. The research institute tried to establish an "equipment demonstration research base" in a submarine force. Scientific researchers and submarine officers and men went to sea for snorkeling together, used modern simulation methods to deduce subjects such as "underwater information confrontation", and closely combined the demonstration research of equipment capability with the battlefield background of officers and men training, submarine tactics, combat opponents and specific sea areas. Both scientific researchers and army officers and men gained a lot.


　　Create a new model to study big problems


　　"Without a strong academic atmosphere, it is not like a research institute!" Zhao Guoan, deputy director of the Science and Technology Department of the Academy, said that the atmosphere of academic exchanges is not strong and the level is not high, mainly because of conservative leadership ideas and insufficient estimation of the enthusiasm of scientific researchers.


　　Through hard work, the Institute successfully held the Frontier Forum of Naval Equipment Development from September to December last year, invited many academicians and well-known experts to participate, received more than 250 high-level papers, and achieved rich forward-looking and cutting-edge research results. The Naval Equipment Research Institute has also established a joint scientific research model of "small core and big periphery", that is, the institute has mastered the core technology, at the same time recruited scientific research talents and strength for the whole army, strengthened strategic cooperation with scientific research institutes and industrial departments inside and outside the military, established an "innovation alliance" between the military and the ground, and organized a "national team" for equipment demonstration and research.


　　From the initial "a piece of paper, a pen and a slide rule" to the popularization of computers today, the research conditions and means of the Institute have made great progress. However, today’s war is developing faster, and the equipment demonstration research needs more modern simulation methods to describe, preview and reproduce the grand and complex information battlefield, and researchers have a strong voice for the lag of scientific research conditions.


　　Dean Zhao Yongfu described the three-year plan for scientific development: seize the precious opportunity of the state to increase investment in the construction of scientific research conditions in the military, and urge 11 key laboratories to pass the project evaluation and make great strides toward the goal of building a "naval weapons and equipment integrated scientific research center".


　　There is another "big hand" of the Party Committee of the Academy: two years ago, when the family funds were only 20 million yuan, they boldly reformed the management methods of scientific research funds, and raised funds of 240 million yuan to buy an unfinished building for reconstruction, expansion and decoration. Nowadays, the uncompleted residential flats have been transformed into a 20-storey modern scientific research complex with an area of 34,000 square meters, and a key national defense laboratory has been settled here.


　　"Activating" Innovative Talents


　　A "shocking event" happened during the study and practice activities, which made everyone feel the determination and courage of the hospital leaders to "activate" the innovative talent team: in 2008, 18 professional and technical cadres in higher and secondary vocational schools failed in the re-appointment evaluation, and the "elimination rate" was as high as 10%. In view of the lack of independent and innovative talents, the Naval Equipment Research Institute put forward the idea of "six batches" of talent construction: training scientific research leaders to create a batch, selecting a batch from famous universities, recruiting a batch from local scientific research units, supporting a batch with projects and funds, reusing a batch in key positions, and encouraging a batch. Those cadres who have achieved mediocre results and even have not written a paper during their five-year term of office are "out" in the competition for professional title evaluation, which has indeed played a role in "urging a group".


　　Since 2006, the Institute has spent one year to conduct a comprehensive investigation and analysis on the distribution of disciplines and disciplines and the structure of scientific research capabilities of the scientific research team in the whole hospital, and formed a 136-page Research Report on the Structure of Scientific Research Capabilities, in which hundreds of scientific researchers were seated one by one. In view of the existing problems, a number of measures were introduced to strengthen the construction of innovative talent teams. At present, researchers under the age of 35 account for 51% of the research institutes, and it has become a fundamental plan to build an innovative development platform for young people. The Institute has intensively issued documents such as "Implementation Measures for the Selection of New Scientific Research Stars" and "Measures for the Management of Youth Scientific Research Funds". This year, it has allocated 1 million yuan to support 20 innovative projects, and various departments and offices have also actively followed up, and young researchers have signed up enthusiastically.


　　An unprecedented "clean-up" is being carried out in every corner of the organs and departments of the Naval Equipment Research Institute. The contents of the clean-up are all kinds of rules, systems, measures and methods. Party committees and organs study and practice Scientific Outlook on Development, and the "highlight" of rectification and implementation is the construction of innovative mechanisms.


　　According to the eight research reports of the Standing Committee and the opinions and suggestions collected from the whole hospital, the Party Committee of the Institute sorted out 48 innovative measures and issued the Decision on Vigorously Improving the Independent Innovation Ability of Scientific Research, which guaranteed 21 innovative measures that could be put into practice immediately based on the actual situation of the Institute.


　　To this end, the whole hospital has comprehensively cleaned up the existing 216 systems. Among them, 72 items were abolished, 30 items were retained, 94 items needed to be revised, and 20 items urgently needed to be established.


　　Getting rid of the shackles of old ideas makes people walk briskly, and the call for innovation is more hopeful. A number of new systems to support independent innovation in scientific research are ready to emerge, such as "establishing an integrated joint experimental research model", "reforming the evaluation and reward system for demonstration research" and "normalizing high-level exchanges".


　　Scientific development drives innovation and development, like a spring tide, surging endlessly …

Editor: Li Yongchao

Metformin, seven more pharmaceutical companies entered the market.

Recently, National Medical Products Administration official website showed that the application for listing of metformin tablets (Ⅰ), (Ⅴ) and (Ⅴ) submitted by Hunan Huize Biomedical Technology/Hunan Jiudian Pharmaceutical Co., Ltd. was accepted by CDE. On April 11th, Zhejiang Huahai Pharmaceutical Co., Ltd. also submitted the application for listing of metformin tablets (VI) and (V) and was accepted.　

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China is the largest country in the world, and the number of patients ranks first in the world. The incidence of diabetes is increasing and showing a trend of younger age.

According to the data of the International Diabetes Federation (IDF), the number of adult diabetic patients in the world reached 537 million in 2021. As the country with the largest number of diabetic patients in the world, the number of diabetic patients in China increased from 90 million to 141 million in the past 10 years (2011 -2021), with an increase of 56%, equivalent to 13% of adults suffering from diabetes, and there are about 72.83 million adults.

As the pathogenesis of type 2 diabetes mellitus (T2DM) is complex, with the progress of the disease, single oral hypoglycemic drugs often cannot maintain ideal blood sugar control for a long time, and there will be many complications. More than 60% of patients need to be combined with other hypoglycemic drugs. Compound hypoglycemic preparation has the advantages of strong efficacy, high safety, convenient use, high compliance and high cost performance, and is widely used at present.

Metformin is suitable for adult patients with type 2 diabetes who are treated with eglinide and metformin hydrochloride. It is a simple compound single-tablet drug. Engelgin belongs to sodium-glucose cotransporter 2(SGLT-2) inhibitor, which can reduce the glucose reabsorption in kidney. Metformin hydrochloride can improve insulin sensitivity by increasing the intake and utilization of peripheral sugar.

The mechanism of the two hypoglycemic components is complementary, which can provide more powerful and lasting blood sugar control, and can reduce the number of tablets taken by patients, thus increasing the compliance of patients, and the improvement of compliance is also helpful to further improve blood sugar control.

The original research of metformin englejing was conducted by Boehringer Ingelheim and Lilly. In 2015, it was approved for listing by the US Food and Drug Administration, and in 2019, it was approved by National Medical Products Administration to enter the domestic market under the trade name of Ou Shuangjing.

In June, 2021, Hangzhou Zhongmei Huadong Pharmaceutical Company’s Metformin Engglinide Tablets (I) was approved to be listed in National Medical Products Administration, becoming the first imitation in China, and was exclusively included in the National Medical Insurance Catalogue Class B through medical insurance negotiation in December of the same year. The medical insurance price was 1.21 yuan/tablet (each tablet contained 500mg of Metformin Hydrochloride and 5mg of Engglinide). At present, Hangzhou Sino-American Huadong Pharmaceutical Co., Ltd. is still the only enterprise in China that has been approved to produce metformin.

According to the IQVIA database, the global sales of metformin Engel in 2020 was 505 million US dollars, an increase of over 30% compared with 2019.

In recent years, the sales scale of oral compound hypoglycemic agents in China is also growing rapidly. According to the data of Minenet, the market of oral compound hypoglycemic agents has increased from 800 million yuan in 2019 to over 2.2 billion yuan in 2021, with the growth rate as high as 58% and 68% in 2020-2021. The market potential of oral compound hypoglycemic agents is exploding.

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According to Frost&Sullivan data, the global diabetes drug market will reach 69.7 billion US dollars in 2020, and the Chinese diabetes drug market will reach 63.2 billion yuan. It is expected to reach 100 billion-level market in 2024, and will grow at a high speed with a CAGR of 10.4% from 2020 to 2030. The diabetes field has become a field that major pharmaceutical companies will strive for.

Hypoglycemic drugs are constantly innovating, and they don’t stop rolling up. Take Engelje as an example. At present, there are 5 domestic enterprises with production approval, and 18 enterprises are in the production reporting stage. It should be noted that Engelje tablets have been included in the fourth batch of national adoption in February, 2021, which shows the expectations of enterprises for Engelje tablets. However, judging from the global sales of Engelje (US$ 8.2 billion in 2022), the domestic market is far from saturated (over 400 million yuan in 2021).

Under the condition that the single drug track is crowded, some enterprises began to lay out compound preparations. Since this year, seven enterprises have submitted the application for the listing of metformin engeglinide tablets/sustained-release tablets, plus two in 2021, at present, a total of nine enterprises are in the production reporting stage of metformin engeglinide.

It is worth mentioning that although the sales of metformin monotherapy have declined in recent years, it can still be seen everywhere in the market, especially in pharmacies.

At present, the best-selling hypoglycemic compound preparations in the market are mainly metformin plus another kind of hypoglycemic drugs, such as "metformin+sulfonamide urea derivatives", "metformin +DPP-4 inhibitor" and "metformin +SGLT2 inhibitor". In addition, there are more and more combinations of compound hypoglycemic preparations, such as "SGLT2 inhibitor +DPP-4 inhibitor", which has been reported for production by enterprises.

END Author | Ryan Source | Medicine Chunqiu

Let the non-inheritance go on, take root deeply and bear fruit.

　　The "Cultural and Natural Heritage Day" in 2024 is approaching. The theme of this year’s intangible cultural heritage publicity and exhibition activities is "protecting and inheriting intangible cultural heritage, continuing the historical context and writing the chapter of the times". Compared with last year’s "Cultural Relics Protection and Utilization and Cultural Self-confidence and Self-improvement", this theme highlights the historical dimensions of protection and inheritance, that is, past, present and future. Continuing the historical context focuses on making intangible cultural heritage better come out of history, and writing the chapter of the times is to make intangible cultural heritage better enter a new era and move towards the future.

　　It is our expectation for the intangible heritage, and it is also the starting point and the foothold to protect and inherit the intangible heritage. After all, the intangible cultural heritage is not only the trace and witness of the past life, but the "root" and "soul" left by our ancient nation to the present and the future, bearing incalculable historical and cultural values. For these intangible heritages with diverse categories, wide fields and rich contents, they are a sensible and experienced "skill" or a meaningful life that can be participated in and realized; Deep down, they are a cultural epic, engraved with the spiritual "code" of our Chinese civilization; From a distance, it is a collective memory about the production and life of ancestors and the exchanges and exchanges between ethnic groups, bearing the heavy responsibility of casting a solid sense of the Chinese nation’s community and helping the great rejuvenation of the Chinese nation.

　　Let the intangible heritage go out of history, into the present and into the future, which can neither be achieved overnight nor once and for all. We must follow the law of intangible heritage protection and inheritance, protect it with initial heart, inherit it with ingenuity, and develop and utilize it with awe.

　　To protect the intangible heritage with the initial heart, we must let the intangible heritage return to "life" and reproduce the "truth". Non-legacy is to life what live fish is to rivers. Every intangible cultural heritage is not a fragment of production and life, but a complete and organic production and life, which is the daily life of people and things in a specific "scene". To protect the intangible cultural heritage with the initial heart and practice the concept of "seeing people, seeing things and seeing life", it is necessary to let the intangible cultural heritage return to the "scene", make it participate in production and life again, and become one of the "protagonists" of the cultural habitat again. The ancient city of Zhangzhou, Fujian Province, which won the "Model Award for China’s Human Settlements", has a history of more than 1,000 years and a protected area of 53 hectares. At present, more than 20,000 residents still live in traditional houses with red "smoke-baked bricks". Tasting Fujian tea and chatting about the daily life of the ancient city has attracted more than 60 cultural formats with non-legacy and old craftsmanship to settle here. This is the dynamic preservation of inheriting history and continuing life, the vivid practice of "seeing people, seeing things and seeing life", and the concrete embodiment of guarding the intangible heritage with the initial heart.

　　Inheriting the intangible heritage with ingenuity, we must adapt the intangible heritage to the present and highlight the "true color". Every non-legacy has a touching story, and each story reflects the diligence and courage of the Chinese nation and the wisdom of transforming nature and social life. Folk literature, traditional drama and other intangible styles directly record the history, continue the context and nourish the folk culture. Inheriting the intangible heritage with ingenuity means persisting in innovation, grasping its "essence" and keeping its characteristics in the process of active innovation, pursuit of perfection and creation of fine products, and continuously enhancing the attraction of intangible heritage in iterative upgrading. In recent years, on the basis of retaining the characteristics and essence of traditional art, Henan operas have constantly innovated their programs, and launched modern Henan operas such as Jiao Yulu and Li Tiancheng, a village official, and the innovative musical Faith, which won the audience’s love and made the "old tree" of non-legacy operas sprout, add vitality and highlight its true colors. This is the result of ingenuity in intangible heritage, the result of ingenuity and intangible heritage "two-way trip", and the result of upholding awe, following the law of intangible heritage development and rational development and utilization.

　　To develop and utilize intangible cultural heritage with awe, we must follow the law and show our "skills". Every intangible heritage is a "living history" left to future generations, bearing the hard exploration achievements of the Chinese nation from generation to generation. Intangible heritage, as a cultural event that originated from ancient life and continued through history to today, has its own characteristics and laws. The process of developing and utilizing intangible heritage is not only a process of grasping the law of intangible heritage, protecting and inheriting intangible heritage according to the law, but also a process of activating the vitality of Chinese excellent traditional culture with the spirit of the times. To develop and utilize intangible cultural heritage with awe, we should focus on "deciphering" intangible cultural genes and spiritual codes, open a new channel through history and the future, connect with the powerful "context" and endless "motive force" bred by China’s millions of years of human history, 10,000 years of cultural history and 5,000 years of civilization history, explore and show intangible "skills" and help the great rejuvenation of the Chinese nation. To develop and utilize intangible cultural heritage with awe, we should not only focus on improving the cultural and ecological environment from the big picture, but also focus on "embroidery" from the small details, fully tap the historical and cultural heritage behind intangible cultural heritage, integrate historical culture with modern life, and make intangible cultural heritage truly become a daily life for the people and a "source of living water" facing the future.

　　Intangible heritage is a precious gift left by ancient people, a unique cultural memory of human beings and a dynamic "living life", which plays an extremely important role in serving the people’s livelihood and helping to build a strong cultural country. On the occasion of "Cultural and Natural Heritage Day", we should focus on the theme of "protecting the heritage, continuing the historical context, and writing the chapter of the times", reiterate the preciousness of the initial heart, the importance of ingenuity, and the key to awe, and re-understand the concept of "seeing people and things and seeing life" and the policy of "protection first, rescue first, rational utilization, inheritance and development" in order to further form. (Author: Lou Huafeng, Wang Weihua, respectively, Professor of College of Literature, Minzu University of China, Ph.D. student)